Class information for: |
Basic class information |
| ID | Publications | Average number of references |
Avg. shr. active ref. in WoS |
|---|---|---|---|
| 3492 | 1028 | 29.8 | 7% |
Classes in level above (level 3) |
| ID, lev. above |
Publications | Label for level above |
|---|---|---|
| 578 | 13512 | JAMES JOYCE QUARTERLY//CONRADIANA//MARK TWAIN JOURNAL |
Classes in level below (level 1) |
| ID, lev. below | Publications | Label for level below |
|---|---|---|
| 26422 | 209 | DOCUMENTARY THEATRE//MODERNISM STUDIES AUSTRALIA//VERBATIM THEATRE |
| 29187 | 156 | DEEPEN//EXCELLENCE HIST EMOT//POSMODERNITY |
| 29605 | 150 | BRIAN FRIEL//THE CRYING OF LOT 49//PYNCHON |
| 29637 | 149 | MOMENT FORM//ART PRODUCT//DIANE ARBUS |
| 29651 | 149 | ADRIENNE KENNEDY//DIARY OF LIGHTS//INTERDISCIPLINARY PHD THEATRE DRAMA PROGRAM |
| 29911 | 145 | DRAMA THEATRE ARTS//NARRATIVE LEVELS//RACE TRAUMA |
| 34466 | 70 | JEAN GENET//PROTO QUEER//UNIQUE ITEMS HYPOTHESIS |
Terms with highest relevance score |
| Rank | Term | Type of term | Relevance score (tfidf) |
Class's shr. of term's tot. occurrences |
Shr. of publ. in class containing term |
Num. of publ. in class |
|---|---|---|---|---|---|---|
| 1 | MODERN DRAMA | Journal | 11 | 12% | 8% | 87 |
| 2 | ADRIENNE KENNEDY | Author keyword | 4 | 75% | 0% | 3 |
| 3 | DOCUMENTARY THEATRE | Author keyword | 2 | 44% | 0% | 4 |
| 4 | BRIAN FRIEL | Author keyword | 2 | 50% | 0% | 3 |
| 5 | MODERNISM STUDIES AUSTRALIA | Address | 2 | 50% | 0% | 3 |
| 6 | VERBATIM THEATRE | Author keyword | 2 | 36% | 0% | 4 |
| 7 | DIARY OF LIGHTS | Author keyword | 1 | 100% | 0% | 2 |
| 8 | JO SPENCE | Author keyword | 1 | 100% | 0% | 2 |
| 9 | MOMENT FORM | Author keyword | 1 | 100% | 0% | 2 |
| 10 | THE CRYING OF LOT 49 | Author keyword | 1 | 50% | 0% | 2 |
Web of Science journal categories |
Author Key Words |
| Rank | Web of Science journal category | Relevance score (tfidf) |
Class's shr. of term's tot. occurrences |
Shr. of publ. in class containing term |
Num. of publ. in class |
LCSH search | Wikipedia search |
|---|---|---|---|---|---|---|---|
| 1 | ADRIENNE KENNEDY | 4 | 75% | 0% | 3 | Search ADRIENNE+KENNEDY | Search ADRIENNE+KENNEDY |
| 2 | DOCUMENTARY THEATRE | 2 | 44% | 0% | 4 | Search DOCUMENTARY+THEATRE | Search DOCUMENTARY+THEATRE |
| 3 | BRIAN FRIEL | 2 | 50% | 0% | 3 | Search BRIAN+FRIEL | Search BRIAN+FRIEL |
| 4 | VERBATIM THEATRE | 2 | 36% | 0% | 4 | Search VERBATIM+THEATRE | Search VERBATIM+THEATRE |
| 5 | DIARY OF LIGHTS | 1 | 100% | 0% | 2 | Search DIARY+OF+LIGHTS | Search DIARY+OF+LIGHTS |
| 6 | JO SPENCE | 1 | 100% | 0% | 2 | Search JO+SPENCE | Search JO+SPENCE |
| 7 | MOMENT FORM | 1 | 100% | 0% | 2 | Search MOMENT+FORM | Search MOMENT+FORM |
| 8 | THE CRYING OF LOT 49 | 1 | 50% | 0% | 2 | Search THE+CRYING+OF+LOT+49 | Search THE+CRYING+OF+LOT+49 |
| 9 | PYNCHON | 1 | 27% | 0% | 3 | Search PYNCHON | Search PYNCHON |
| 10 | ACTIVE ANALYSIS | 1 | 50% | 0% | 1 | Search ACTIVE+ANALYSIS | Search ACTIVE+ANALYSIS |
Key Words Plus |
| Rank | Web of Science journal category | Relevance score (tfidf) |
Class's shr. of term's tot. occurrences |
Shr. of publ. in class containing term |
Num. of publ. in class |
|---|---|---|---|---|---|
| 1 | WEST NATHANAEL | 3 | 100% | 0% | 3 |
| 2 | FRAYN MICHAEL | 1 | 100% | 0% | 2 |
| 3 | KENNEDY ADRIENNE | 1 | 100% | 0% | 2 |
| 4 | DAVID COPPERFIELD | 1 | 50% | 0% | 1 |
| 5 | DECEASED WIFES SISTER | 1 | 50% | 0% | 1 |
| 6 | INTRANSITIVE VERBS | 1 | 50% | 0% | 1 |
| 7 | PRESENT PARTICIPLE | 1 | 50% | 0% | 1 |
| 8 | STEVENSON | 1 | 50% | 0% | 1 |
| 9 | HYDE | 0 | 33% | 0% | 1 |
| 10 | JEKYLL | 0 | 33% | 0% | 1 |
Journals |
| Rank | Web of Science journal category | Relevance score (tfidf) |
Class's shr. of term's tot. occurrences |
Shr. of publ. in class containing term |
Num. of publ. in class |
|---|---|---|---|---|---|
| 1 | MODERN DRAMA | 11 | 12% | 8% | 87 |
| 2 | THEATRE RESEARCH IN CANADA-RECHERCHES THEATRALES AU CANADA | 1 | 10% | 1% | 8 |
Reviews |
| Title | Publ. year | Cit. | Active references |
% act. ref. to same field |
|---|---|---|---|---|
| MASS-COMMUNICATION THEORIES FROM A JAPANESE PERSPECTIVE | 1990 | 6 | 1 | 100% |
| Charisma or rationalization? Domesticity and psychoanalysis in the United States in the 1950s | 2000 | 1 | 2 | 100% |
| 'The same in origin and in blood': Bardic windows on the relationship between Irish and Scottish Gaels, c1200-1650 | 1999 | 0 | 1 | 100% |
| The history, geography, and heterogeneity of American dramatic realism | 1999 | 0 | 2 | 100% |
| UNCOMFORTABLY NUMB - COUNTERCULTURAL IMPULSES IN THE POSTMODERN ERA | 1993 | 10 | 8 | 13% |
| The past as present - Presentism in the medieval concept of history | 2001 | 4 | 6 | 17% |
| ''What is written? How are you reading?'' - Gospel, intertextuality and doing likewise: Reading Luke-X,25-42 otherwise | 1995 | 0 | 1 | 100% |
| IS THERE SUBSTANCE BEHIND THE SHADOWS - NEW WORKS ON SIDDAL,ELIZABETH | 1992 | 0 | 2 | 100% |
| Visual turn? Cultural history and pictures | 2003 | 2 | 6 | 17% |
| FUGITIVE POE REFERENCES - A BIBLIOGRAPHY | 1984 | 1 | 3 | 100% |
Address terms |
| Rank | Address term | Relevance score (tfidf) |
Class's shr. of term's tot. occurrences |
Shr. of publ. in class containing term |
Num. of publ. in class |
|---|---|---|---|---|---|
| 1 | MODERNISM STUDIES AUSTRALIA | 2 | 50% | 0.3% | 3 |
| 2 | STUDY DRAMA | 1 | 40% | 0.2% | 2 |
| 3 | CONTEMPORARY PROJECT | 1 | 50% | 0.1% | 1 |
| 4 | DRAMA THEATRE ARTS | 1 | 50% | 0.1% | 1 |
| 5 | EXCELLENCE HIST EMOT | 1 | 50% | 0.1% | 1 |
| 6 | INTERDISCIPLINARY PHD THEATRE DRAMA PROGRAM | 1 | 50% | 0.1% | 1 |
| 7 | MARTIN HARRIS MUS DRAMA | 1 | 50% | 0.1% | 1 |
| 8 | FILM THEATRE TELEVIS | 1 | 25% | 0.2% | 2 |
| 9 | DIGITAL TECHNOL CULTURE PROGRAM | 0 | 33% | 0.1% | 1 |
| 10 | DRAMATURGY DRAMAT CRITICISM PROGRAM | 0 | 33% | 0.1% | 1 |
Related classes at same level (level 2) |
| Rank | Relatedness score | Related classes |
|---|---|---|
| 1 | 0.0000020956 | ESTRENO-CUADERNOS DEL TEATRO ESPANOL CONTEMPORANEO//ANALES DE LA LITERATURA ESPANOLA CONTEMPORANEA//WOMEN PLAYWRIGHTS |
| 2 | 0.0000018332 | CONTEMPORARY THEATRE REVIEW//STUDIES IN THEATRE AND PERFORMANCE//SARAH KANE |
| 3 | 0.0000013065 | EUROPEAN AMER LITERATU//STYLE//NARRATIVE |
| 4 | 0.0000010319 | JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY//JOURNAL OF ARTS MANAGEMENT AND LAW//ARTS ADMINISTRATION |
| 5 | 0.0000009766 | JOURNAL OF SCREENWRITING//SCREEN//WIDE ANGLE-A QUARTERLY JOURNAL OF FILM HISTORY THEORY CRITICISM & PRACTICE |
| 6 | 0.0000009089 | MARK TWAIN JOURNAL//D H LAWRENCE REVIEW//LITERATURE, AMERICAN |
| 7 | 0.0000008052 | HENRY JAMES REVIEW//PARDO BAZAN//GALDOS |
| 8 | 0.0000007908 | TECHNICAL COMMUNICATION//JOURNAL OF TECHNICAL WRITING AND COMMUNICATION//JOURNAL OF BUSINESS AND TECHNICAL COMMUNICATION |
| 9 | 0.0000007658 | AUSTRALIAN LITERARY STUDIES//SOUTHERLY//DIECIOCHO-HISPANIC ENLIGHTENMENT |
| 10 | 0.0000007592 | BOISI RELIG AMER PUBL LIFE//LOUIS HARTZ//SAMUEL HUNTINGTON |