Class information for: |
Basic class information |
| Class id | #P | Avg. number of references |
Database coverage of references |
|---|---|---|---|
| 24773 | 302 | 33.7 | 8% |
Hierarchy of classes |
The table includes all classes above and classes immediately below the current class. |
| Cluster id | Level | Cluster label | #P |
|---|---|---|---|
| 1 | 4 | ECONOMICS//EDUCATION & EDUCATIONAL RESEARCH//PSYCHOL | 3876184 |
| 248 | 3 | LITERATURE//LITERATURE, AMERICAN//LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN | 46730 |
| 2662 | 2 | FILM, RADIO, TELEVISION//CINEMA JOURNAL//SCREEN | 3441 |
| 24773 | 1 | ANIMATION-AN INTERDISCIPLINARY JOURNAL//ANDRE BAZIN//FILM, RADIO, TELEVISION | 302 |
Terms with highest relevance score |
| rank | Term | termType | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
|---|---|---|---|---|---|---|
| 1 | ANIMATION-AN INTERDISCIPLINARY JOURNAL | journal | 278265 | 6% | 16% | 17 |
| 2 | ANDRE BAZIN | authKW | 229790 | 2% | 45% | 5 |
| 3 | FILM, RADIO, TELEVISION | WoSSC | 220607 | 42% | 2% | 127 |
| 4 | ROBERT ZEMECKIS | authKW | 202220 | 1% | 100% | 2 |
| 5 | CINEMA JOURNAL | journal | 150106 | 10% | 5% | 30 |
| 6 | ACTING IN DIGITAL CINEMA | authKW | 101110 | 0% | 100% | 1 |
| 7 | ACTION HERO | authKW | 101110 | 0% | 100% | 1 |
| 8 | AERIAL CINEMATOGRAPHY | authKW | 101110 | 0% | 100% | 1 |
| 9 | ALEXANDRE PROMIO | authKW | 101110 | 0% | 100% | 1 |
| 10 | AMERICAN COLLEGE OF SURGEONS ACS | authKW | 101110 | 0% | 100% | 1 |
Web of Science journal categories |
| Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
|---|---|---|---|---|---|
| 1 | Film, Radio, Television | 220607 | 42% | 2% | 127 |
| 2 | Literature | 2941 | 14% | 0% | 41 |
| 3 | Cultural Studies | 2546 | 6% | 0% | 19 |
| 4 | Humanities, Multidisciplinary | 2484 | 11% | 0% | 32 |
| 5 | Art | 1697 | 7% | 0% | 20 |
| 6 | Literary Theory & Criticism | 975 | 3% | 0% | 9 |
| 7 | Literature, Romance | 868 | 4% | 0% | 12 |
| 8 | Communication | 584 | 6% | 0% | 17 |
| 9 | Literary Reviews | 283 | 2% | 0% | 5 |
| 10 | Philosophy | 204 | 4% | 0% | 13 |
Address terms |
| Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
|---|---|---|---|---|---|
| 1 | ANIMAT STUDIES | 101110 | 0% | 100% | 1 |
| 2 | ART SOCIOL 2112 | 101110 | 0% | 100% | 1 |
| 3 | ART TECH IDENCY PROGRAM | 101110 | 0% | 100% | 1 |
| 4 | BROADCAST CINEMATIC ARTS | 101110 | 0% | 100% | 1 |
| 5 | CINEMA MODERN MEDIA | 101110 | 0% | 100% | 1 |
| 6 | ENGLISH CINEMA STUDIES HIST | 101110 | 0% | 100% | 1 |
| 7 | ENGLISH MS 30 | 101110 | 0% | 100% | 1 |
| 8 | FILM COMPARAT LITERATURE | 101110 | 0% | 100% | 1 |
| 9 | FILM MEDIA STUDIES GLOBAL STUDIES | 101110 | 0% | 100% | 1 |
| 10 | JOINT FILM MEDIA STUDIES SLAV LANGUAGES LIT | 101110 | 0% | 100% | 1 |
Journals |
| Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
|---|---|---|---|---|---|
| 1 | ANIMATION-AN INTERDISCIPLINARY JOURNAL | 278265 | 6% | 16% | 17 |
| 2 | CINEMA JOURNAL | 150106 | 10% | 5% | 30 |
| 3 | SCREEN | 64861 | 7% | 3% | 22 |
| 4 | FILM CRITICISM | 54635 | 3% | 5% | 10 |
| 5 | FILM QUARTERLY | 38075 | 3% | 4% | 9 |
| 6 | CONVERGENCE-THE INTERNATIONAL JOURNAL OF RESEARCH INTO NEW MEDIA TECHNOLOGIES | 24750 | 2% | 4% | 6 |
| 7 | KOSMORAMA | 21283 | 1% | 11% | 2 |
| 8 | JOURNAL OF VISUAL CULTURE | 12442 | 2% | 2% | 5 |
| 9 | STUDIA PHAENOMENOLOGICA | 11513 | 1% | 4% | 3 |
| 10 | ART JOURNAL | 10077 | 2% | 1% | 7 |
Author Key Words |
| Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
LCSH search | Wikipedia search |
|---|---|---|---|---|---|---|---|
| 1 | ANDRE BAZIN | 229790 | 2% | 45% | 5 | Search ANDRE+BAZIN | Search ANDRE+BAZIN |
| 2 | ROBERT ZEMECKIS | 202220 | 1% | 100% | 2 | Search ROBERT+ZEMECKIS | Search ROBERT+ZEMECKIS |
| 3 | ACTING IN DIGITAL CINEMA | 101110 | 0% | 100% | 1 | Search ACTING+IN+DIGITAL+CINEMA | Search ACTING+IN+DIGITAL+CINEMA |
| 4 | ACTION HERO | 101110 | 0% | 100% | 1 | Search ACTION+HERO | Search ACTION+HERO |
| 5 | AERIAL CINEMATOGRAPHY | 101110 | 0% | 100% | 1 | Search AERIAL+CINEMATOGRAPHY | Search AERIAL+CINEMATOGRAPHY |
| 6 | ALEXANDRE PROMIO | 101110 | 0% | 100% | 1 | Search ALEXANDRE+PROMIO | Search ALEXANDRE+PROMIO |
| 7 | AMERICAN COLLEGE OF SURGEONS ACS | 101110 | 0% | 100% | 1 | Search AMERICAN+COLLEGE+OF+SURGEONS+ACS | Search AMERICAN+COLLEGE+OF+SURGEONS+ACS |
| 8 | ANDY SERKIS | 101110 | 0% | 100% | 1 | Search ANDY+SERKIS | Search ANDY+SERKIS |
| 9 | ANIMATION LABOR | 101110 | 0% | 100% | 1 | Search ANIMATION+LABOR | Search ANIMATION+LABOR |
| 10 | ANNA SPAN | 101110 | 0% | 100% | 1 | Search ANNA+SPAN | Search ANNA+SPAN |
Core articles |
The table includes core articles in the class. The following variables is taken into account for the relevance score of an article in a cluster c: (1) Number of references referring to publications in the class. (2) Share of total number of active references referring to publications in the class. (3) Age of the article. New articles get higher score than old articles. (4) Citation rate, normalized to year. |
| Rank | Reference | # ref. in cl. |
Shr. of ref. in cl. |
Citations |
|---|---|---|---|---|
| 1 | SOBCHACK, V , (2016) "THE ACTIVE EYE" (REVISITED): TOWARD A PHENOMENOLOGY OF CINEMATIC MOVEMENT.STUDIA PHAENOMENOLOGICA. VOL. 16. ISSUE . P. 63 -90 | 7 | 100% | 0 |
| 2 | MIHAILOVA, M , (2013) THE MASTERY MACHINE: DIGITAL ANIMATION AND FANTASIES OF CONTROL.ANIMATION-AN INTERDISCIPLINARY JOURNAL. VOL. 8. ISSUE 2. P. 131-148 | 7 | 100% | 3 |
| 3 | KENDALL, T , (2016) STAYING ON, OR GETTING OFF (THE BUS): APPROACHING SPEED IN CINEMA AND MEDIA STUDIES.CINEMA JOURNAL. VOL. 55. ISSUE 2. P. 112 -118 | 7 | 88% | 1 |
| 4 | WHISSEL, K , (2010) THE DIGITAL MULTITUDE.CINEMA JOURNAL. VOL. 49. ISSUE 4. P. 90 -110 | 7 | 100% | 3 |
| 5 | COHEN, OF , (2014) THE NEW LANGUAGE OF THE DIGITAL FILM.JOURNAL OF POPULAR FILM AND TELEVISION. VOL. 42. ISSUE 1. P. 47-58 | 7 | 78% | 0 |
| 6 | HILSABECK, B , (2016) THE "IS" IN WHAT IS CINEMA?: ON ANDRE BAZIN AND STANLEY CAVELL.CINEMA JOURNAL. VOL. 55. ISSUE 2. P. 25 -42 | 5 | 100% | 0 |
| 7 | WAGNER, KB , JANG, IG , (2016) THE 3-D ANIMATED CODESCAPE: IMPERFECTION AND DIGITAL LABOR ZONES IN WALL-E (2008) AND WRECK-IT RALPH (2012).ANIMATION-AN INTERDISCIPLINARY JOURNAL. VOL. 11. ISSUE 2. P. 130 -145 | 5 | 100% | 0 |
| 8 | PIERSON, R , (2015) WHOLE-SCREEN METAMORPHOSIS AND THE IMAGINED CAMERA (NOTES ON PERSPECTIVAL MOVEMENT IN ANIMATION).ANIMATION-AN INTERDISCIPLINARY JOURNAL. VOL. 10. ISSUE 1. P. 6 -21 | 5 | 100% | 1 |
| 9 | CHRIS, C , SIMON, J , (2015) SURVEYING VIDEOSCAPES: THE POLITICS OF DISTRIBUTION IN TIERED VISUAL ECONOMIES.ART JOURNAL. VOL. 74. ISSUE 4. P. 5 -20 | 5 | 100% | 0 |
| 10 | JONES, N , (2015) VARIATION WITHIN STABILITY: DIGITAL 3D AND FILM STYLE.CINEMA JOURNAL. VOL. 55. ISSUE 1. P. 52 -73 | 4 | 100% | 0 |
Classes with closest relation at Level 1 |