Class information for: |
Basic class information |
Class id | #P | Avg. number of references |
Database coverage of references |
---|---|---|---|
31543 | 151 | 28.3 | 8% |
Hierarchy of classes |
The table includes all classes above and classes immediately below the current class. |
Cluster id | Level | Cluster label | #P |
---|---|---|---|
1 | 4 | ECONOMICS//EDUCATION & EDUCATIONAL RESEARCH//PSYCHOL | 3876184 |
709 | 3 | THEATER//MONUMENTA NIPPONICA//ASIAN STUDIES | 5930 |
3310 | 2 | THEATER//MODERN DRAMA//CONTEMPORARY THEATRE REVIEW | 1839 |
31543 | 1 | SARAH KANE//CONTEMPORARY THEATRE REVIEW//HOWARD BARKER | 151 |
Terms with highest relevance score |
rank | Term | termType | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|---|
1 | SARAH KANE | authKW | 842590 | 3% | 83% | 5 |
2 | CONTEMPORARY THEATRE REVIEW | journal | 537380 | 19% | 9% | 28 |
3 | HOWARD BARKER | authKW | 454998 | 2% | 75% | 3 |
4 | 448 PSYCHOSIS | authKW | 404444 | 1% | 100% | 2 |
5 | FAR AWAY | authKW | 404444 | 1% | 100% | 2 |
6 | HANS THIES LEHMANN | authKW | 404444 | 1% | 100% | 2 |
7 | MARTIN CRIMP | authKW | 404444 | 1% | 100% | 2 |
8 | NEW WRITING | authKW | 303330 | 2% | 50% | 3 |
9 | THEATER | WoSSC | 300414 | 72% | 1% | 108 |
10 | STUDIES IN THEATRE AND PERFORMANCE | journal | 252760 | 7% | 13% | 10 |
Web of Science journal categories |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | Theater | 300414 | 72% | 1% | 108 |
2 | Literature | 413 | 7% | 0% | 11 |
3 | Literature, German, German, Scandinavian | 265 | 2% | 0% | 3 |
4 | Cultural Studies | 221 | 3% | 0% | 4 |
5 | Art | 131 | 3% | 0% | 4 |
6 | Literary Reviews | 90 | 1% | 0% | 2 |
7 | Education & Educational Research | 84 | 6% | 0% | 9 |
8 | Humanities, Multidisciplinary | 72 | 3% | 0% | 4 |
9 | Medieval & Renaissance Studies | 64 | 1% | 0% | 2 |
10 | Literature, Romance | 46 | 1% | 0% | 2 |
Address terms |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | DRAMA EDUC | 202222 | 1% | 100% | 1 |
2 | DRAMA PROGRAM | 202222 | 1% | 100% | 1 |
3 | DRAMA THEATRE ROYAL HOLLOWAY | 202222 | 1% | 100% | 1 |
4 | DRAMATURGY DRAMAT CRITICISM | 202222 | 1% | 100% | 1 |
5 | ENGLISH COMPARAT LITERATURE CRIT THEORY | 202222 | 1% | 100% | 1 |
6 | NIEHS ENVIRONM TOXICOL | 202222 | 1% | 100% | 1 |
7 | THEATRE PERFORMANCE CULTURAL STUDIES | 202222 | 1% | 100% | 1 |
8 | THEATREWISSEN | 202222 | 1% | 100% | 1 |
9 | DRAMA ENGLISH | 101110 | 1% | 50% | 1 |
10 | DRAMA QUEEN MARY | 101110 | 1% | 50% | 1 |
Journals |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | CONTEMPORARY THEATRE REVIEW | 537380 | 19% | 9% | 28 |
2 | STUDIES IN THEATRE AND PERFORMANCE | 252760 | 7% | 13% | 10 |
3 | MODERN DRAMA | 78885 | 11% | 2% | 16 |
4 | PERFORMANCE RESEARCH | 70440 | 9% | 3% | 13 |
5 | NEW THEATRE QUARTERLY | 64383 | 7% | 3% | 10 |
6 | RIDE-THE JOURNAL OF APPLIED THEATRE AND PERFORMANCE | 55654 | 5% | 4% | 7 |
7 | AUSTRIAN STUDIES | 23107 | 1% | 6% | 2 |
8 | PAJ-A JOURNAL OF PERFORMANCE AND ART | 18808 | 1% | 5% | 2 |
9 | THEATER | 16691 | 2% | 3% | 3 |
10 | THEATRE JOURNAL | 15942 | 5% | 1% | 7 |
Author Key Words |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
LCSH search | Wikipedia search |
---|---|---|---|---|---|---|---|
1 | SARAH KANE | 842590 | 3% | 83% | 5 | Search SARAH+KANE | Search SARAH+KANE |
2 | HOWARD BARKER | 454998 | 2% | 75% | 3 | Search HOWARD+BARKER | Search HOWARD+BARKER |
3 | 448 PSYCHOSIS | 404444 | 1% | 100% | 2 | Search 448+PSYCHOSIS | Search 448+PSYCHOSIS |
4 | FAR AWAY | 404444 | 1% | 100% | 2 | Search FAR+AWAY | Search FAR+AWAY |
5 | HANS THIES LEHMANN | 404444 | 1% | 100% | 2 | Search HANS+THIES+LEHMANN | Search HANS+THIES+LEHMANN |
6 | MARTIN CRIMP | 404444 | 1% | 100% | 2 | Search MARTIN+CRIMP | Search MARTIN+CRIMP |
7 | NEW WRITING | 303330 | 2% | 50% | 3 | Search NEW+WRITING | Search NEW+WRITING |
8 | 48 PSYCHOSIS | 202222 | 1% | 100% | 1 | Search 48+PSYCHOSIS | Search 48+PSYCHOSIS |
9 | AESTHETIC RIGOUR | 202222 | 1% | 100% | 1 | Search AESTHETIC+RIGOUR | Search AESTHETIC+RIGOUR |
10 | AFTER IN YER FACE | 202222 | 1% | 100% | 1 | Search AFTER+IN+YER+FACE | Search AFTER+IN+YER+FACE |
Core articles |
The table includes core articles in the class. The following variables is taken into account for the relevance score of an article in a cluster c: (1) Number of references referring to publications in the class. (2) Share of total number of active references referring to publications in the class. (3) Age of the article. New articles get higher score than old articles. (4) Citation rate, normalized to year. |
Rank | Reference | # ref. in cl. |
Shr. of ref. in cl. |
Citations |
---|---|---|---|---|
1 | ILTER, S , (2015) RETHINKING PLAY TEXTS IN THE AGE OF MEDIATIZATION: SIMON STEPHENS'S PORNOGRAPHY.MODERN DRAMA. VOL. 58. ISSUE 2. P. 238 -262 | 6 | 86% | 0 |
2 | BAY-CHENG, S , (2016) UNSEEN PERFORMANCE CRITICISM AND DIGITAL RECORDINGS.THEATER. VOL. 46. ISSUE 2. P. 77 -85 | 5 | 100% | 0 |
3 | LEPAGE, L , (2014) RETHINKING SARAH KANE'S CHARACTERS: A HUMAN(IST) FORM AND POLITICS.MODERN DRAMA. VOL. 57. ISSUE 2. P. 252 -272 | 5 | 100% | 0 |
4 | LANE, D , (2010) A DRAMATURG'S PERSPECTIVE: LOOKING TO THE FUTURE OF SCRIPT DEVELOPMENT.STUDIES IN THEATRE AND PERFORMANCE. VOL. 30. ISSUE 1. P. 127-141 | 5 | 100% | 3 |
5 | DIEDRICH, A , (2013) "LAST IN A LONG LINE OF LITERARY KLEPTOMANIACS": INTERTEXTUALITY IN SARAH KANE'S 4.48 PSYCHOSIS.MODERN DRAMA. VOL. 56. ISSUE 3. P. 374-398 | 5 | 83% | 0 |
6 | BOLTON, J , (2012) CAPITALIZING (ON) NEW WRITING: NEW PLAY DEVELOPMENT IN THE 1990S.STUDIES IN THEATRE AND PERFORMANCE. VOL. 32. ISSUE 2. P. 209-225 | 4 | 100% | 3 |
7 | LEDGER, AJ , (2010) 'DOES WHAT?': ACTING, DIRECTING, AND REHEARSING MARTIN CRIMP'S FEWER EMERGENCIES.NEW THEATRE QUARTERLY. VOL. 26. ISSUE 102. P. 121-132 | 4 | 100% | 0 |
8 | HUBBARD, W , (2013) FALLING FAINT ON SYNCOPATED SPECTATORSHIP AND THE AUTHOR.PERFORMANCE RESEARCH. VOL. 18. ISSUE 4. P. 22 -29 | 4 | 80% | 0 |
9 | ROBERTS, M , (2015) VANISHING ACTS: SARAH KANE'S TEXTS FOR PERFORMANCE AND POSTDRAMATIC THEATRE.MODERN DRAMA. VOL. 58. ISSUE 1. P. 94 -111 | 3 | 100% | 0 |
10 | TOMLIN, L , (2014) CITATIONAL THEORY IN PRACTICE: A PERFORMANCE ANALYSIS OF CHARACTERISATION AND IDENTITY IN KATIE MITCHELL'S STAGING OF MARTIN CRIMP'S TEXTS.CONTEMPORARY THEATRE REVIEW. VOL. 24. ISSUE 3. P. 371 -+ | 3 | 100% | 0 |
Classes with closest relation at Level 1 |