Class information for: |
Basic class information |
Class id | #P | Avg. number of references |
Database coverage of references |
---|---|---|---|
9188 | 1180 | 25.0 | 19% |
Hierarchy of classes |
The table includes all classes above and classes immediately below the current class. |
Cluster id | Level | Cluster label | #P |
---|---|---|---|
1 | 4 | ECONOMICS//EDUCATION & EDUCATIONAL RESEARCH//PSYCHOL | 3876184 |
424 | 3 | MUSIC//MUS//JOURNAL OF RESEARCH IN MUSIC EDUCATION | 28183 |
2488 | 2 | COMPUTER MUSIC JOURNAL//ORGANISED SOUND//MUSIC | 3928 |
9188 | 1 | COMPUTER MUSIC JOURNAL//INTERFACE-JOURNAL OF NEW MUSIC RESEARCH//MUSIC | 1180 |
Terms with highest relevance score |
rank | Term | termType | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|---|
1 | COMPUTER MUSIC JOURNAL | journal | 4642989 | 29% | 53% | 341 |
2 | INTERFACE-JOURNAL OF NEW MUSIC RESEARCH | journal | 1196020 | 6% | 67% | 69 |
3 | MUSIC | WoSSC | 661018 | 62% | 4% | 726 |
4 | JOURNAL OF NEW MUSIC RESEARCH | journal | 351652 | 7% | 16% | 86 |
5 | ALGORITHMIC COMPOSITION | authKW | 277232 | 1% | 71% | 15 |
6 | ORGANISED SOUND | journal | 242198 | 4% | 20% | 46 |
7 | LEONARDO MUSIC JOURNAL | journal | 210404 | 3% | 21% | 39 |
8 | COMPUTER MUSIC | authKW | 169833 | 1% | 41% | 16 |
9 | PERSPECTIVES OF NEW MUSIC | journal | 166702 | 3% | 17% | 39 |
10 | CONTEMPORARY MUSIC REVIEW | journal | 133459 | 2% | 18% | 29 |
Web of Science journal categories |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | Music | 661018 | 62% | 4% | 726 |
2 | Computer Science, Interdisciplinary Applications | 24176 | 39% | 0% | 455 |
3 | Art | 3375 | 5% | 0% | 56 |
4 | Acoustics | 2177 | 8% | 0% | 99 |
5 | Engineering, General | 791 | 7% | 0% | 79 |
6 | Computer Science, Software Engineering | 729 | 6% | 0% | 73 |
7 | Computer Science, Theory & Methods | 713 | 7% | 0% | 87 |
8 | Computer Science, Artificial Intelligence | 514 | 6% | 0% | 71 |
9 | Computer Science, Cybernetics | 429 | 2% | 0% | 22 |
10 | Computer Science, Hardware & Architecture | 401 | 4% | 0% | 42 |
Address terms |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | SOUND DIGITAL MUS TECHNOL GRP | 103503 | 0% | 100% | 4 |
2 | ICCMR | 62095 | 1% | 40% | 6 |
3 | INFORMAT MUSICALE | 58219 | 0% | 75% | 3 |
4 | DIGITAL MUS C4DM | 51752 | 0% | 100% | 2 |
5 | DOCTORAL STUDIES MUS PERFORMANCE | 51752 | 0% | 100% | 2 |
6 | SOUND PROC CONTROL | 51752 | 0% | 100% | 2 |
7 | MUS | 43357 | 5% | 3% | 59 |
8 | CERL SOUND GRP | 34500 | 0% | 67% | 2 |
9 | ELECT MUS | 34500 | 0% | 67% | 2 |
10 | MUS TECHNOL GRP | 29095 | 1% | 13% | 9 |
Journals |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | COMPUTER MUSIC JOURNAL | 4642989 | 29% | 53% | 341 |
2 | INTERFACE-JOURNAL OF NEW MUSIC RESEARCH | 1196020 | 6% | 67% | 69 |
3 | JOURNAL OF NEW MUSIC RESEARCH | 351652 | 7% | 16% | 86 |
4 | ORGANISED SOUND | 242198 | 4% | 20% | 46 |
5 | LEONARDO MUSIC JOURNAL | 210404 | 3% | 21% | 39 |
6 | PERSPECTIVES OF NEW MUSIC | 166702 | 3% | 17% | 39 |
7 | CONTEMPORARY MUSIC REVIEW | 133459 | 2% | 18% | 29 |
8 | JOURNAL OF THE AUDIO ENGINEERING SOCIETY | 96769 | 7% | 5% | 77 |
9 | LEONARDO | 46123 | 4% | 4% | 48 |
10 | COMPUTERS AND THE HUMANITIES | 11523 | 1% | 3% | 15 |
Author Key Words |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
LCSH search | Wikipedia search |
---|---|---|---|---|---|---|---|
1 | ALGORITHMIC COMPOSITION | 277232 | 1% | 71% | 15 | Search ALGORITHMIC+COMPOSITION | Search ALGORITHMIC+COMPOSITION |
2 | COMPUTER MUSIC | 169833 | 1% | 41% | 16 | Search COMPUTER+MUSIC | Search COMPUTER+MUSIC |
3 | AUDIO OSCILLATORS | 133074 | 1% | 86% | 6 | Search AUDIO+OSCILLATORS | Search AUDIO+OSCILLATORS |
4 | COMPUTER AIDED COMPOSITION | 133074 | 1% | 86% | 6 | Search COMPUTER+AIDED+COMPOSITION | Search COMPUTER+AIDED+COMPOSITION |
5 | COMPUTER ASSISTED COMPOSITION | 69000 | 0% | 67% | 4 | Search COMPUTER+ASSISTED+COMPOSITION | Search COMPUTER+ASSISTED+COMPOSITION |
6 | AI AND MUSIC | 51752 | 0% | 100% | 2 | Search AI+AND+MUSIC | Search AI+AND+MUSIC |
7 | ARTIFICIAL INTELLIGENCE AND MUSIC | 51752 | 0% | 100% | 2 | Search ARTIFICIAL+INTELLIGENCE+AND+MUSIC | Search ARTIFICIAL+INTELLIGENCE+AND+MUSIC |
8 | FREQUENCY MODULATION SYNTHESIS | 51752 | 0% | 100% | 2 | Search FREQUENCY+MODULATION+SYNTHESIS | Search FREQUENCY+MODULATION+SYNTHESIS |
9 | HYPERINSTRUMENTS | 51752 | 0% | 100% | 2 | Search HYPERINSTRUMENTS | Search HYPERINSTRUMENTS |
10 | MICROSOUND | 51752 | 0% | 100% | 2 | Search MICROSOUND | Search MICROSOUND |
Core articles |
The table includes core articles in the class. The following variables is taken into account for the relevance score of an article in a cluster c: (1) Number of references referring to publications in the class. (2) Share of total number of active references referring to publications in the class. (3) Age of the article. New articles get higher score than old articles. (4) Citation rate, normalized to year. |
Rank | Reference | # ref. in cl. |
Shr. of ref. in cl. |
Citations |
---|---|---|---|---|
1 | FERNANDEZ, JD , VICO, F , (2013) AI METHODS IN ALGORITHMIC COMPOSITION: A COMPREHENSIVE SURVEY.JOURNAL OF ARTIFICIAL INTELLIGENCE RESEARCH. VOL. 48. ISSUE . P. 513 -582 | 51 | 74% | 12 |
2 | ANDERS, T , MIRANDA, ER , (2011) CONSTRAINT PROGRAMMING SYSTEMS FOR MODELING MUSIC THEORIES AND COMPOSITION.ACM COMPUTING SURVEYS. VOL. 43. ISSUE 4. P. - | 14 | 93% | 2 |
3 | POPE, ST , (1986) MUSIC NOTATIONS AND THE REPRESENTATION OF MUSICAL STRUCTURE AND KNOWLEDGE.PERSPECTIVES OF NEW MUSIC. VOL. 24. ISSUE 2. P. 156-189 | 30 | 97% | 10 |
4 | FRANCK, A , VALIMAKI, V , (2013) HIGHER-ORDER INTEGRATED WAVETABLE AND SAMPLING SYNTHESIS.JOURNAL OF THE AUDIO ENGINEERING SOCIETY. VOL. 61. ISSUE 9. P. 624 -636 | 15 | 65% | 0 |
5 | FISCHMAN, R , (2003) CLOUDS, PYRAMIDS, AND DIAMONDS: APPLYING SCHRODINGER'S EQUATION TO GRANULAR SYNTHESIS AND COMPOSITIONAL STRUCTURE.COMPUTER MUSIC JOURNAL. VOL. 27. ISSUE 2. P. 47-69 | 12 | 92% | 1 |
6 | WITTLICH, GE , ISAACSON, EJ , HASS, JE , (1993) COMPUTER-APPLICATIONS IN MUSIC COMPOSITION AND RESEARCH.ADVANCES IN COMPUTERS, VOL 36. VOL. 36. ISSUE . P. 111-202 | 28 | 56% | 0 |
7 | FISCHMAN, R , (2015) WHAT DO WE KNOW THAT VARESE DIDN'T?.ORGANISED SOUND. VOL. 20. ISSUE 1. P. 23 -29 | 8 | 100% | 0 |
8 | DANNENBERG, RB , (1997) MACHINE TONGUES .19. NYQUIST, A LANGUAGE FOR COMPOSITION AND SOUND SYNTHESIS.COMPUTER MUSIC JOURNAL. VOL. 21. ISSUE 3. P. 50-60 | 15 | 83% | 13 |
9 | HAWORTH, C , (2015) SOUND SYNTHESIS PROCEDURES AS TEXTS: AN ONTOLOGICAL POLITICS IN ELECTROACOUSTIC AND COMPUTER MUSIC.COMPUTER MUSIC JOURNAL. VOL. 39. ISSUE 1. P. 41 -58 | 9 | 82% | 0 |
10 | STROPPA, M , AGON, C , BRESSON, J , (2011) OMCHROMA: COMPOSITIONAL CONTROL OF SOUND SYNTHESIS.COMPUTER MUSIC JOURNAL. VOL. 35. ISSUE 2. P. 67 -83 | 8 | 100% | 1 |
Classes with closest relation at Level 1 |