Publications

Journal Publications, Book Chapter

Lindborg PM (2015, submitted). “A taxonomy of sound sources in restaurants”. Applied Acoustics
Lindborg PM & Friberg AK (2015, submitted). “Personality traits moderate perceived soundscape quality”. Environment and Behavior
Lindborg PM (2015, accepted). “Colour Association to Music is Mediated by Emotion: Evidence from an Experiment using a CIE Lab Interface and Interviews”. PLOSone.
Lindborg PM (2016, accepted). “Interactive Sonification of Weather Data for The Locust Wrath, a Multimedia Dance Performance”. Leonardo, MIT Press.
Lindborg PM (2015).“Psychoacoustic, Physical, and Perceptual Features of Restaurants: A Field Survey in Singapore”. Applied Acoustics 92, 47-60. DOI: 10.1016/j.apacoust.2015.01.002. http://www.sciencedirect.com/science/article/pii/S0003682X15000031 [peer reviewed hybrid journal]
Lindborg PM (2014). “Editorial - Special Issue on Sound Art and Interactivity in Singapore: SI13 and More”. eContact! 16.2. http://cec.sonus.ca/econtact/16_2/ [invitation]
Lindborg PM (2014). “Sound Art Singapore: Conversation with Pete Kellock, Zul Mahmod and Mark Wong”. In eContact! 16.2 (Lindborg PM, Guest Editor). http://cec.sonus.ca/econtact/16_2/lindborg_singapore.html [peer and editor reviewed online journal]
Lindborg PM (2011). "Sound in literature: listening to intimate voices, echoing spaces and silences in Kundera’s La Lenteur". Musica Humana (in review)
Lindborg PM (2010). "Singapore Voices: an interactive installation about languages to (re)(dis)cover the intergenerational distance". IM: Interactive Media. Issue 6: Special issue on ‘Performance’. National Academy of Screen and Sound (NASS), Australia. ISSN 1833-0533. Available online at http://wwwmcc.murdoch.edu.au/nass/issue6/pdf/nass-im6-performance-article-04-lindborg.pdf. [peer-reviewed online journal]
Lindborg PM (2008). "About TreeTorika: Rhetoric, CAAC and Mao". In Bresson, J., Agon C. & Assayag G. (eds): OM Composer’s Book #2. Éditions Delatour France / IRCAM - Centre Pompidou, ISBN 978-2-84426-399-5 / 2-7521-0051-5, pp. 95-116. http://recherche.ircam.fr/equipes/repmus/OMBook/ [editor reviewed book chapter]
Lindborg PM (2008). "Reflections on aspects of music interactivity in performance situations". In Chippewa, J. (ed): eContact 10.4, October 2008 (“Live / Improvisation / Interactivity”). Canadian Electroacoustic Community. Available at http://cec.sonus.ca/econtact/10_4/lindborg_interactivity.html (December 2010). [editor reviewed online journal]
Lindborg PM (2003). "Leçons : an Approach to a System for Machine Learning, Improvisation and Music Performance". In Wiil, U. K. (2004). Computer Music Modeling and Retreival. International Symposium, CMMR 2003. LIRMM, CNRS, Université de Montpellier-2, Aalborg University 2003. Lecture Notes in Computer Science , LNCS volume 2771. Springer Verlag, ISSN 0302-9743, ISBN 3-540-20922-0, 2004. [peer review of full article]
Lindborg PM (2003). Le dialogue musicien-machine : Aspects des systèmes d'interactivité musicale. Mémoire de DEA (grade de Master, mention 'Très Bien'/Cum Laude) de musique et musicologie du XXe siècle. Research Director: Professeur Marc Battier. Université de Paris IV Sorbonne, France. [DEA thesis]

Published Conference Proceedings (as first author)

Lindborg PM & Liu DY (2015, July). “Locust Wrath: an iOS Audience Participatory Auditory Display”. Proceedings of the 21th International Conference on Auditory Display (ICAD 2015), p. 125-132. Vogt K, Andreopoulou A & Goudarzi V (eds.). Institute of Electronic Music and Acoustics (IEM), University of Music and Performing Arts Graz (KUG), Austria. ISBN: 978-3-902949-01-1. [peer-reviewed full paper] https://smartech.gatech.edu/bitstream/handle/1853/54117/ICAD%20Proceedings%2015-Lindberg.pdf
Lindborg PM & Kwan NAK (2015, May). “Audio Quality Moderates Localisation Accuracy: Two Distinct Perceptual Effects?”. Proceedings of the 138th Convention of the Audio Engineering Society, May 2015, Warsaw, Poland. AES #9313. DOI: 10.13140/RG.2.1.3587.8565. http://www.aes.org/e-lib/browse.cfm?elib=17737. [peer-reviewed full paper]
Lindborg PM (2014). “Colour Association to Sound: A Perceptual Experiment using a CIELab Haptic Response Interface and the Jyväskylä Film Music Set.” Proceedings of Sound and Music Computing Sweden 2014, p. 3-4. Stockholm, Sweden, 4-5 Dec. 2014. http://smcsweden.se/proceedings/SMCSweden2014_Proceedings.pdf (acc. 23 Jan. 2015) [peer-reviewed extended abstract]
Lindborg PM & Lim, M.J.Y. (2013, July). "Design of an Interactive Earphone Simulator and Results from a Perceptual Experiment". Proceedings of the Sound and Music Computing Conference 2013 (SMC 2013), Stockholm, Sweden. July 2013, p. 74-79. ISBN 978-91-7501-831-7. Logos Verlag, Berlin. Available at http://www.speech.kth.se/smac-smc-2013/proceedings/SMC2013_Proceedings_online-version.pdf  [peer review of full paper]
Lindborg PM (2013, July). “Skalldans, an audiovisual improvisation framework”. Proceedings of the Sound and Music Computing Conference 2013 (SMC 2013), Stockholm, Sweden. July 2013, pp. 415-418. Logos Verlag, Berlin. Available at http://www.speech.kth.se/smac-smc-2013/proceedings/SMC2013_Proceedings_online-version.pdf  [peer review of full paper]
Lindborg PM (2013, June). “Physiological measures regress onto acoustic and perceptual features of soundscapes”. Proceedings of the 3rd International Conference on Music Emotion (ICME3). Jyväskylä, Finland, 11th - 15th June 2013. Geoff Luck & Olivier Brabant (Eds.). University of Jyväskylä, Department of Music. ISBN 978-951-39-5250-1. Available at https://jyx.jyu.fi/dspace/handle/123456789/41614. [editor review of full paper]
Lindborg PM (2012, June). “Correlations between personality traits and physiological and perceptual responses to soundscapes”. Proceedings of the Electracoustic Music Studies conference 2012 (EMS). Stockholm, Sweden. 11-16 June 2012. [peer review of abstract]
Lindborg PM & Koh, Joyce Beetuan (2011, August). “Multidimensional spatial sound design for ‘On the String’”. Proceedings of the International Conference of Computer Music (ICMC), ISBN 978-0-9845274-0-3. University of Huddersfield, UK. July 2011. [peer review of full paper]
Lindborg PM (2010). "Perception of emotion portrayal in cartoons by visually and aurally oriented people". Proceedings of the 11th International Conference on Music Perception and Cognition (ICMPC11). Seattle, Washington, USA. Demorest S.M., Morrison S.J., Campbell P.S., editors. ISBN 1-876346-62-0. [peer review of abstract]
Lindborg PM (2010). “Sound art and interactive design”. In Koh, Joyce Beetuan (editor): On the String, Program Booklet. Singapore Arts Festival 2010. [essay on editor’s invitation]
Lindborg PM (2009). “Virtual instruments and sonic space design”. In Singapore Voices, Exhibition Catalogue. NTU Art & Heritage Museum. [reviewed essay]
Lindborg PM (2008). “Messiaen and the idea of joie parfaite.” In Koh, Joyce Beetuan (editor): Messiaen Day 2008 Program Booklet. SOTA, Singapore. [essay on editor’s invitation] Available at: https://nanyang.academia.edu/PerMagnusLindborg/Essays
Lindborg PM (2007). "Preparing for TreeTorika: Computer-assisted analysis of Mao's oratory". In C. Spyridis, A. Georgaki, G. Kouroupetroglou & C. Anagnostopoulou (Eds): Proceedings of the 4th Sound and Music Computing Conference (SMC07). 11-13 July 2007, Lefkada, Greece, ISBN 978-960-6608-75-9. [peer review of full article]
PerMagnus Lindborg (2007). "Composers' Rights in a Digital World”. Transposition and Vietnam Institute of Musicology Co-arranged Conference for Composers' Rights: "Discussion About Intellectual Property Rights and Copyrights in Music Field", Hanoi, Vietnam, 18 December 2007. [peer review of abstract]

Published Conference Proceedings (as co-author)

Aw M, Lim CS & Lindborg PM (2013, July). “SmartDJ, An Interactive Music Player for Music Discovery by Similarity Comparison”. Proc. Sound and Music Computing Conf. (SMC). Stockholm, Sweden. July 2013, pp. 776-781. http://www.speech.kth.se/smac-smc-2013/ [peer review full paper]
Lim MJY & Lindborg PM (2013, June). "How Much does Quality Cost? Listening to Music with Earphones on Buses and Trains". Proc. 3rd Int. Conf. on Music Emotion (ICME3). Jyväskylä, Finland. June 2013. https://jyx.jyu.fi/dspace/handle/123456789/41609 [editor review full paper]
Koh, Joyce Beetuan & Lindborg PM (2008). “Project Time revisited: thoughts on skin therapy, urban planning and Singaporean Angst”. Proceedings of 14th International Symposium of Electronic Art. ISEA2008 Pte Ltd, ISBN 978-981-08-0768-9. [peer review of abstract]
Conference Posters (selection)
Lindborg PM (2013, July). “Acoustic and perceptual features of eating-places in Singapore.” Poster at Joint AESOP/ACSP Congress Dublin, July 2013. [peer review of abstract].
Lindborg PM (2012, June). “How fun is this? A pilot questionnaire study to investigate visitors’ experience of an interactive sound installation”. Poster presentation at 12th International Conference on Music Perception and Cognition (ICMPC) and 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM). Thessaloniki, Greece, 23-28 July 2012. Proceedings edited by Emilios Cambouropoulos, Costas Tsourgas, Panayotis Mavromatis, Costas Pastiadis, ISBN 960-99854-1-7. http://icmpc-escom2012.web.auth.gr/  [peer review of abstract]
Lindborg PM (2012, June). “Correlations between personality traits and physiological and perceptual responses to soundscapes”. Poster presentation at 12th International Conference on Music Perception and Cognition (ICMPC) and 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM). Thessaloniki, Greece, 23-28 July 2012. Proceedings edited by Emilios Cambouropoulos, Costas Tsourgas, Panayotis Mavromatis, Costas Pastiadis, ISBN 960-99854-1-7. http://icmpc-escom2012.web.auth.gr/ [peer review of abstract]

Conference Oral Presentations (selection)

Lindborg PM (2014, Oct.). "Perceptualising the Climate in Times of Locust Wrath”. Demo-lecture at Liquid Architecture 2014. LaSalle College of the Arts, Singapore. [invitation]
Lindborg PM (2014, Aug.). "Colour Association to Sound”. Proceedings of 13th International Conference on Music Perception and Cognition joint with 5th Conference for the Asia-Pacific Society for Cognitive Sciences of Music. (ICMPC-APSCOM 2014). Yonsei University, Seoul. http://permagnus.org/pm/research/CAS/Lindborg-CAS-ICMPC.html [peer-reviewed selection]
Lindborg PM & Liong, Shie-Yui (2014, Jan.). "Hearing is Believing: Interactive Sonification of Weather Data from South-East Asia 1960-2099." http://www.environmentalvisions.info/  [invitation based on abstract]
Lindborg PM (2012, Jun.). "Soundscape perception and personality”. International Symposium on Urban Soundscapes. Stockholm City Muséum, co-organised by Stockholm University. 15 June 2012. [invitation]
LINDBORG PM (2012, Oct.). "Skalldans, an audiovisual performance; demo and under-the-hood”. Visual Music Symposium, ADM, NTU, Singapore. 13-14 October.
Koh, Joyce Beetuan & Lindborg PM (2010, Nov.). "About 'On the String'". Ircam Forum, Paris, France. 21 November 2011. [invitation]
PerMagnus Lindborg (2009, Mar.). “Singapore Voices: (re)(dis)covering the intergenerational distance”. ACLA 2009, Harvard University (Cambridge), United States. 27 March 2009. [peer-reviewed selection]
PerMagnus Lindborg (2008, Jul.). "Particular Assembly: On the Sonification of Voice Analysis for an Interactive Installation on the Theme of Musicality in Political Speech”. ISEA08 (International Symposium for Electronic Art), Singapore, 26 July 2008. [peer-reviewed selection]