On September 1st, Crosscuts – Stockholm’s first environmental humanities film festival – will return! Through documentaries, poetry and conversations between leading researchers, filmmakers, students and artists, we explore different themes. This year we delve into deep sea mining, environmental activism and the green movement and Sami culture and the climate crisis. Everything happens on site at KTH, in Stockholm.
The program offers, among other things, the artistic documentary series What is Deep Sea Mining? (directors: Inhabitants with Margarida Mendes), the Greenpeace film How to change the world (director: Jerry Rothwell) and the acclaimed documentary about Britta Marakatt-Labba Historjá – Stygn för Sapmí (director: Thomas Jackson).
Among the invited panelists are Thomas Jackson, director, Gunhild Rosqvist, professor, Staffan Lindberg, climate journalist at Aftonbladet and Ylva Gustafsson, activist, folk educator and stage artist, who will also perform a joik for us. A joik is a traditional form of song in Sámi music performed by the Sámi people of Sapmi in Northern Europe and it is also one of the oldest vocal traditions in Europe.
During the evening we have with us the ecopoets Evelyn Reilly and Juan Carlos Galeano who will perform their poetry via link, and then participate in a conversation with the audience.
The event is held in English. Participation is free of charge, but the number of seats is limited and therefore advance registration is required.
Full program: https://crosscuts.se/program-2022/
Welcome to a day full of documentary films, panel discussions and performance!
Crosscuts is an international festival for film, art and research in the environmental humanities. Each film is shown together with a panel discussion with specially invited guests. The festival is organized this year by the KTH Environmental Humanities Laboratory (EHL) in collaboration with Stockholm University. Crosscuts was organized for the first time in 2018.
Rather than perpetuating the conventional academic mode of compartmentalizing knowledge, separating theory and practice, and adopting a hierarchized and exclusive treatment of the visual and the verbal, your events were made to bring scholars and artists together and to speak to both in the vibrant questions they raised with their researches.
Trinh T. Minh-ha, filmmaker, writer and professor at the University of California Berkeley
Crosscuts comes across as a cutting-edge bridge between academia, the art world, and the public sphere. This is eminently in line with KTH’s best traditions; the school’s motto famously brings together science and art.
Jan Olsson, professor emeritus of Cinema Studies at Stockholm University
This Stockholm Environmental Humanities Festival for Film and Text that was held for the first time in the fall of 2018, was an extremely successful and important event for both academic community and the general public.
Madina Tlostanova, professor in postcolonial feminism, Linköpings University.