Nyhetsflöde

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FöreläsningLecture 7: Sound models for interaction

Overview of functioning and properties of sound models suitable in interaction.¶

Lecturer: Roberto Bresin (in collaboration with Davide Rocchesso)¶

Overview of functioning and properties of sound models suitable in interaction.

Lecturer: Roberto Bresin (in collaboration with Davide Rocchesso)

Lecture 79: Sound models for interaction

ATTENTION! THIS LECTURE HAS BEEN RESCHEDULED TO THE 24/9 at 10:00. Overview of functioning and properties of sound models suitable in interaction.

Lecturer: Roberto Bresin (in collaboration with Davide Rocchesso)

Lecture 9: Sound models for interaction 10. Sonic Feedback: interaction, control, design

ATTENTION! THIS LECTURE HAS BEEN RESCHEDULED TO THE 245/9 at 10:00. Overview of functioning and properties of sound models suitableThe importance of control in sound manipulation. The use of sound as feedback in interaction.¶  Lecturer: Roberto Bresin (in collaboration with Davide Rocchesso)

Tiorsdag 1625 september 2014 kl 1308:00 - 150:00

Torsdag 25 september 2014 kl 108:00 - 102:00

SeminariumFinal project presentations 1

Final project presentations 1

Ändra start-tiden till 09:00. Tiden ska alltså vara 09:00-12:00¶

Ändra start-tiden till 09:00. Tiden ska alltså vara START TIME HAS BEEN CHANGES TO 09:00. THE FINAL PRESENTATION WILL BE FROM 09:00- TO 12:00

START TIME HAS BEEN CHANGESD TO 09:00. THE FINAL PRESENTATION WILL BE FROM 09:00 TO 12:00

Fredag 17 oktober 2014 kl 109:00 - 12:00

Laboration 2

Sonification of gestures with a cup (such as when pouring liquid, tilting, and filling the cup) using a real-time motion capture system and Pure Data.¶

Laboratory assistant: Ludvig Elblaus¶

OnTisdag 1723 september 2014 kl 09:00 - 12:00

Sonification of gestures with a cup (such as when pouring liquid, tilting, and filling the cup) using a real-time motion capture system and Pure Data.

Laboratory assistant: Ludvig Elblaus

Laboration 3

Sonification of body movements of one and more persons in a room by using a real-time motion capture system and Pure Data.¶

Laboratory assisstant: Ludvig Elblaus¶

Sonification of body movements of one and more persons in a room by using a real-time motion capture system and Pure Data.

Laboratory assisstant: Ludvig Elblaus

FöreläsningLecture 11. Sound in therapy applications and limited interaction

Using sound and music in therapeutic settings. Working with constrained interaction. Interfaces for untypical conditions. Lecturer: Kjetil Falkenberg Hansen¶

Lecture 11.8: Sound in therapy applications and limited interacand motion

UsingHow sound cand music in therapeutic settings. Working with constrained interaction. Interfaces for untypical conditions.  influence vision. Sound producing movements in musicians. Sound producing movements in everyday interaction.¶

Lecturers: Roberto Bresin, Kjetil Falkenberg Hansen

Lecture 811: Sound and motion

How sound can influence vision. Sound producing movements in musicians. Sound producing movements in everyday interaction.

Lecturers: Roberto Bresin, Kjetil Falkenberg Hansen

FöreläsningLecture 12. Perceptual evaluation of sound-producing objects and interfaces

Presentation of the principal Experimental methods for the perceptual evaluation of sound-producing objects and interfaces. Lecturer: Roberto Bresin¶

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FöreläsningProject workshop

We meet in room 503 (next to Fantum) and discuss project proposals.¶

We meet in room 503 (next to Fantum) and discuss project proposals.

We meet and discuss project proposals.

WARNING: The workshop has been unticipated to Monday 22nd at 10:00, still in Fantum.¶

FöreläsningLecture 10. Sonic Feedback: interaction, control, design

The importance of control in sound manipulation. The use of sound as feedback in interaction. Lecturer: Roberto Bresin (in collaboration with Davide Rocchesso)¶

Lecture 9: Sound models for interaction & Lecture 10. Sonic Feedback: interaction, control, design

Overview of functioning and properties of sound models suitable in interaction.¶

Lecturer: Roberto Bresin (in collaboration with Davide Rocchesso)¶

The importance of control in sound manipulation. The use of sound as feedback in interaction. Lecturer: Roberto Bresin (in collaboration with Davide Rocchesso)

Lecture 9: Sound models for interaction & Lecture 10. Sonic Feedback: interaction, control, design

Overview of functioning and properties of sound models suitable in interaction.

Lecturer: Roberto Bresin (in collaboration with Davide Rocchesso)

The importance of control in sound manipulation. The use of sound as feedback in interaction. Lecturer: Roberto Bresin (in collaboration with Davide Rocchesso)¶

FöreläsningLecture 8: Sound and motion

How sound can influence vision. Sound producing movements in musicians. Sound producing movements in everyday interaction.¶

Lecturers: Roberto Bresin, Kjetil Falkenberg Hansen¶

How sound can influence vision. Sound producing movements in musicians. Sound producing movements in everyday interaction.

Lecturers: Roberto Bresin, Kjetil Falkenberg Hansen

Lecture 8: Sound and motion7. Working with sounds

How sound can influence vision. Sound producing movements in musicians. Sound producing movements in everyday interaction.¶ Sound design in films. Study visit at Europa Foley and Adr.Lecturers: Roberto Bresin, Kjetil Falkenberg HansenUlf OlaussonClick here for visiting Ulf Olausson's IMDB page.

SeminariumLecture 10. Working with sounds

Sound design in films. Study visit at Europa Foley and Adr.Lecturer: Ulf OlaussonClick here for visiting Ulf Olausson's IMDB page.¶

Lecture 109. Working with sounds

Sound design in films. Study visit at Europa Foley and Adr.Lecturer: Ulf OlaussonClick here for visiting Ulf Olausson's IMDB page.

Lecture 98. Working with soundsSound in therapy applications and limited interaction

Sound design in films. Study visit at Europa Foley and Adr.Lecturer: Ulf OlaussonClick here for visiting Ulf Olausson's IMDB page.Using sound and music in therapeutic settings. Working with constrained interaction. Interfaces for untypical conditions. Lecturer: Kjetil Falkenberg Hansen

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FöreläsningLecture 5: Sound and interaction in art

Overview of the use of sound in interactive installations and art works.¶

Teacher: Gerhard Eckel¶

Overview of the use of sound in interactive installations and art works.

Teacher: Gerhard Eckel

FöreläsningLecture 6: Interactive sonification

Interactive auditory display of data.¶

Guest lecturer: Andy Hunt¶

Interactive auditory display of data.

Guest lecturer: Andy Hunt

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FöreläsningLecture 4: Data representation with sound: Sonification

Sound icons: earcons vs auditory icons. Auditory display of data.¶

Lecturer: Ludvig Elblaus¶

Sound icons: earcons vs auditory icons. Auditory display of data.

Lecturer: Ludvig ElblaGaël Dubus

Laboration 1

Sonification of mouse movements in a two-dimensional space using the Pure Data extended program.¶

Laboratory assistant: Kjetil Falkenberg Hansen¶

Sonification of mouse movements in a two-dimensional space using the Pure Data extended program.

Laboratory assistant: Kjetil Falkenberg Hansen

FöreläsningLecture 1: Introduction

During the first two hours of the course we will give an introductory presentation to the course and discuss course registration issues.¶

We will also talk about sound with portable devices and sensors, and will  introduce the NaturalPoint motion capture system, the Arduino sensor platform, and Android OS.¶

Lecturers: Roberto Bresin, Kjetil Falkenberg Hansen, Ludvig Elblaus¶

During the first two hours of the course we will give an introductory presentation to the course and discuss course registration issues.

We will also talk about sound with portable devices and sensors, and will  introduce the NaturalPoint motion capture system, the Arduino sensor platform, and Android OS.

Lecturers: Roberto Bresin, Kjetil Falkenberg Hansen, Ludvig Elblaus