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Publications

Publications

[1]
S. Pauletto, "Beyond sound objects," i Traces of Sound, Frisk, Henrik & Sanne Krogh Groth red., Lund : Lund University Open Access, 2024.
[2]
S. Pauletto och Y. Seznec, "Connecting sound to data : sonification workshop methods with expert and non-expert participants," Journal of The Audio Engineering Society, 2024.
[3]
E. Frid et al., "A Dual-Task Experimental Methodology for Exploration of Saliency of Auditory Notifications in a Retail Soundscape," i Proceedings of the 28th International Conference on Auditory Display (ICAD2023): Sonification for the Masses, 2023, 2023.
[4]
O. Misgeld, H. Lindetorp och A. Holzapfel, "Accessible sonification of movement : A case in Swedish folk dance," i Proceedings of SMC 2023 - Sound and Music Computing Conference, 2023, s. 201-208.
[5]
R. Huang et al., "Beyond Diverse Datasets : Responsible MIR, Interdisciplinarity, and the Fractured Worlds of Music," Transactions of the International Society for Music Information Retrieval, vol. 6, no. 1, s. 43-59, 2023.
[6]
S. Pauletto et al., "Connecting sound design future with historical creative practices : developing digital tools by modelling historical sound effects," i Forum Acusticum 2023, 11 - 15 September 2023, Torino, Italy, 2023.
[7]
A.-K. Kaila, P. Jääskeläinen och A. Holzapfel, "Ethically Aligned Stakeholder Elicitation (EASE) : Case Study in Music-AI," i NIME, 2023.
[8]
A.-K. Kaila, J. Petra och A. Holzapfel, "Explorations with Ethically Aligned Stakeholder Analysis (EASE)," i Proceedings of GenAICHI the CHI 2023 Workshop on Generative AI and HCI, 2023.
[9]
V. Madaghiele, A. D. Demir och S. Pauletto, "Heat-sensitive sonic textiles : fostering awareness of the energy we save by wearing warm fabrics," i SMC 2023 : Proceedings of the Sound and Music Computing Conference 2023, 2023, s. 395-402.
[10]
V. Madaghiele, D. Demir och S. Pauletto, "Heat-sensitive sonic textiles: increasing awareness of the energy we save by wearing warm fabrics," i Sound and Music Computing Conference, 2023.
[11]
A. Holzapfel, "Introducing Political Ecology of Creative-Ai," i Handbook of Critical Studies of Artificial Intelligence, Simon Lindgren red., Cheltenham, United Kingdom : Edward Elgar Publishing, 2023.
[12]
D. Holzer, L. Aron och A. Holzapfel, "Laser Phase Synthesis," i New Interfaces for Musical Expression conference (NIME), 2023.
[13]
A. Clemente, A. Friberg och A. Holzapfel, "Relations between perceived affect and liking for melodies and visual designs.," Emotion, vol. 23, no. 6, s. 1584-1605, 2023.
[14]
S. Pauletto et al., "Sonifying energy consumption using SpecSinGAN," i Proceedings of the Sound and Music ComputingConference 2023, 2023.
[15]
N. Misdariis et al., "The Audible Universe Workshop: an Interdisciplinary Approach to the Design and Evaluation of Tools for Astronomical Data Sonification," i 28th International Conference on Auditory Displays (ICAD 2023) - Sonification for the Masses, Norrköping, Sweden, 26–30 June 2023, 2023.
[16]
Y. Seznec et al., "The Sound of the Future Home Workshop : Ideating Sonic Prototypes for Sustainable Energy Consumption," i 18th International Audio Mostly Conference, AM 2023, Edinburgh, United Kingdom of Great Britain and Northern Ireland, Aug 30 2023 - Sep 1 2023, 2023, s. 101-108.
[17]
A. Holzapfel, P. Jääskeläinen och A.-K. Kaila, "Environmental and Social Sustainability of Creative-Ai," i GenAICHI Generative AI and CHI workshop - ACM CHI 2022, 2022.
[18]
F. Keenan och S. Pauletto, "Evaluating a Sonic Interaction Design Based on a Historic Theatre Sound Effect," International journal of human-computer studies, vol. 164, 2022.
[19]
V. Madaghiele och S. Pauletto, "Experimenting techniques for sonic implicit interactions: a real time sonification of body-textile heat exchange with sound augmented fabrics," i In: Pauletto, S., Delle Monache, S. and Selfridge, R. (Eds) Proceedings of the Conference on Sonification of Health and Environmental Data (SoniHED 2022). ISBN: 978-91-8040-358-0, 2022.
[20]
P. Jääskeläinen, A. Holzapfel och C. Åsberg, "Exploring More-than-Human Caring in Creative-Ai Interactions," i NordiCHI '22: Nordic Human-Computer Interaction Conference, 2022.
[21]
S. Pauletto, "Foley performance and sonic implicit interactions : How Foley artists might hold the secret for the design of sonic implicit interactions," i The Body in Sound, Music and Performance : Studies in Audio and Sonic Arts, : Informa UK Limited, 2022, s. 265-278.
[22]
A. Holzapfel, "From Dusk till dawn : An analysis of Cretan music festivities," i Trends in World Music Analysis : New Directions in World Music Analysis, Lawrence Beaumont Shuster, Somangshu Mukherji and Noé Dinnerstein red., : Routledge, 2022.
[23]
R. S. Huang, A. Holzapfel och B. Sturm, "Global Ethics : From Philosophy to Practice A Culturally Informed Ethics of Music AI in Asia," i Artificial Intelligence and Music Ecosystem, Martin Clancy red., : Routledge, 2022, s. 126-141.
[24]
D. Holzer, "In Search of the Plastic Image : a Media Archaeology of Scan Processing," Proceedings of the ACM on Computer Graphics and Interactive Techniques, vol. 5, no. 4, 2022.
[25]
R. Selfridge och S. Pauletto, "Investigating the sound design process: two case studies from radio and film production," i DRS Biennial Conference Series, 2022.
[26]
Y. Seznec, "Music Within Limits," i 2022 International Conference on ICT for Sustainability (ICT4S), 2022, s. 172-178.
[27]
H. E. Tez, R. Selfridge och J. Reiss, "Ocean Wave Sound Synthesis and Perceptual Evaluation," i AES Europe Spring 2022 : 152nd Audio Engineering Society Convention 2022, 2022, s. 185-191.
[28]
P. Jääskeläinen, A. Holzapfel och D. Pargman, "On the environmental sustainability of Ai art(s)," i Workshop on Computing within Limits, June 21-22, 2022.
[29]
R. Selfridge, C. Barone och S. Pauletto, "Sonifying an Office Gadget to Indicate Air Quality," i Proceedings of the 19th Sound and Music Computing Conference, June 5-12th, 2022, Saint-Étienne (France), 2022, s. 54-61.
[30]
R. Selfridge och S. Pauletto, "Sound Design Ideation: Comparing Four Sound Designers’ Approaches," i Proceedings of the 19th Sound and Music Computing Conference, June 5-12th, 2022, Saint-Étienne (France), 2022.
[31]
R. Selfridge och S. Pauletto, "Sound Design Ideation : Comparing Four Sound Designers' Approaches," i Proceedings of the Sound and Music Computing Conferences, 2022, s. 92-99.
[32]
N. Misdariis et al., "Sound experts’ perspectives on astronomy sonification projects," Nature Astronomy, vol. 6, no. 11, s. 1249-1255, 2022.
[33]
Y. Seznec och S. Pauletto, "The Singing Shower : A melody-sensitive interface for physical interaction and efficient energy consumption," i Proceedings of the 19th Sound and Music Computing Conference, June 5-12th, 2022, Saint-Étienne (France), 2022.
[34]
V. Madaghiele och S. Pauletto, "The Sonic Carpet : Real-Time Feedback of Energy Consumption and Emission Data through Sonic Interaction Design," i The 27th International Conference on Auditory Display (ICAD 2022), 2022, s. 55-63.
[35]
Y. Seznec och S. Pauletto, "Towards a workshop methodology for involving non-experts in the sonic interaction design process : Connecting household sounds and energy," i The 27th International Conference on Auditory Display (ICAD 2022), 2022, s. 44-51.
[36]
P. Jääskeläinen, D. Pargman och A. Holzapfel, "Towards Sustainability Assessment of Artificial Intelligence in Artistic Practices," i The 8th International Conference on ICT for Sustainability, June 13-17, Plovdiv Bulgaria, 2022.
[37]
R. Selfridge et al., "Twang! : A physically derived synthesis model for the sound of a vibrating bar," i AES Europe Spring 2022 : 152nd Audio Engineering Society Convention 2022, 2022, s. 76-85.
[38]
O. Misgeld et al., "A case study of deep enculturation and sensorimotor synchronization to real music," i Proceedings of the 22nd International Conference on Music Information Retrieval, ISMIR 2021, International Society for Music Information Retrieval, 2021, s. 460-467.
[39]
J. D. Reiss, H. E. Tez och R. Selfridge, "A comparative perceptual evaluation of thunder synthesis techniques," i 150th Audio Engineering Society Convention, AES 2021, 2021.
[40]
J. Hölling, M. Svahn och S. Pauletto, "Audio-Visual Interactive Art: Investigating the effect of gaze-controlled audio on visual attention and short-term memory," i AM '21: Audio Mostly 2021 Proceedings, 2021.
[41]
D. Holzer, K. Shi och A. Holzapfel, "Datatonism : Emulating Historical Instruments As A Pedagogic Exercise," i Proceedings of the 2nd Nordic Sound and Music Computing (NordicSMC) Conference, 2021.
[42]
R. Huang, B. Sturm och A. Holzapfel, "De-centering the west : East asian philosophies and the ethics of applying artificial intelligence to music," i International Society for Music Information Retrieval Conference, ISMIR, 2021.
[44]
K. B. McAlpine, J. Cook och R. Selfridge, "Hearing history : A virtual perspective on music performance," i 3D Audio, : Taylor and Francis Inc., 2021, s. 207-227.
[45]
A. Holzapfel et al., "Humanities and engineering perspectives on music transcription," Digital Scholarship in the Humanities, 2021.
[46]
R. Selfridge och S. Pauletto, "Investigating the Sound Design Process," i Nordic Sound and Music Computing, 2021.
[47]
R. Bresin et al., "KTH Royal Institute of Technology - Sound and Music Computing (SMC) Group," i Proceedings of the Sound and Music Computing Conferences 2021, 2021, s. xxv-xxvi.
[50]
K. Falkenberg et al., "Musikkommunikation och ljudinteraktion," i Introduktion till medieteknik, Pernilla Falkenberg Josefsson, Mikael Wiberg red., Lund : Studentlitteratur AB, 2021, s. 155-166.
Fullständig lista i KTH:s publikationsportal