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Publications

Most recent publications:

[2]
F. Favero and U. Besenecker, "Artificial light(ing) or electric light(ing)?," in The 8th International Light Symposium: Re-thinking Lighting Design in a Sustainable Future, Copenhagen, Denmark, 2022, pp. 1-11.
[3]
G. van den Broek and R. Bresin, "Concurrent sonification of different percentage values : the case of database values about statistics of employee engagement," in Proceedings of ISon 2022, 7th Interactive Sonification Workshop, BSCC, University of Bremen, Germany, September 22–23, 2022, 2022.
[5]
H. Lindetorp and K. Falkenberg, "Evaluating Web Audio for learning, accessibility and distribution," Journal of The Audio Engineering Society, 2022.
[6]
D. Larson Holmgren, A. Särnell and R. Bresin, "Facilitating reflection on climate change using interactive sonification," in Proceedings of ISon 2022, 7th Interactive Sonification Workshop, BSCC, University of Bremen, Germany, September 22–23, 2022, 2022.
[7]
H. Snarberg et al., "Preparing for the future for all : The state of accessibility education at technical universities," in EDULEARN22 Proceedings, 2022, pp. 7799-7805.
[8]
T. Stojanovski et al., "Rethinking Computer-Aided Architectural Design (CAAD) - From Generative Algorithms and Architectural Intelligence to Environmental Design and Ambient Intelligence," in Computer-Aided Architectural Design : Design Imperatives: The Future Is Now, 2022, pp. 62-83.
[9]
M. Sköld and R. Bresin, "Sonification of Complex Spectral Structures," Frontiers in Neuroscience, vol. 16, 2022.
[10]
C. Panariello and R. Bresin, "Sonification of Computer Processes : The Cases of Computer Shutdown and Idle Mode," Frontiers in Neuroscience, vol. 16, 2022.
[11]
P. R. Kantan et al., "Sonifying Walking : A Perceptual Comparison of Swing Phase Mapping Schemes," in Proceedings of ISon 2022, 7th Interactive Sonification Workshop, BSCC, University of Bremen, Germany, September 22–23, 2022, 2022.
[12]
N. Misdariis et al., "Sound experts’ perspectives on astronomy sonification projects," Nature Astronomy, vol. 6, no. 11, pp. 1249-1255, 2022.
[13]
O. Misgeld et al., "A case study of deep enculturation and sensorimotor synchronization to real music," in International Society for Music Information Retrieval Conference, ISMIR, 2021.
[14]
H. Lindetorp and K. Falkenberg, "Audio Parameter Mapping Made Explicit Using WebAudioXML," in Proceedings of the Sound and Music Computing Conference, 2021.
[15]
K. Falkenberg et al., "Auditory notification of customer actions in a virtual retail environment: Sound design, awareness and attention," in Proceedings of International Conference on Auditory Displays ICAD 2021, 2021.
[16]
P. P. Anindita and K. Falkenberg, "Design Approaches to Alert Sounds for Interactions in Shops," in Nordic Sound and Music Computing Conference, 2021.
[17]
G. F. Arfvidsson et al., "Design considerations for short alerts and notification sounds in a retail environment," in Proceedings of the Sound and Music Computing Conference, 2021.
[18]
E. Frid and K. Falkenberg, "Designing and reporting research on sound design and music for health: Methods and frameworks for impact," in Doing Research in Sound Design, : Routledge, 2021.
[19]
S. Holmqvist et al., "Evaluating pleasure, arousal and customer satisfaction from sound notifications," in Nordic Retail and Wholesale Conference, 2021.
[20]
R. Bresin et al., "KTH Royal Institute of Technology - Sound and Music Computing (SMC) Group," in Proceedings of the Sound and Music Computing Conferences 2021, 2021, pp. xxv-xxvi.
[22]
K. Falkenberg et al., "Musikkommunikation och ljudinteraktion," in Introduktion till medieteknik, Pernilla Falkenberg Josefsson, Mikael Wiberg Ed., Lund : Studentlitteratur AB, 2021, pp. 155-166.
[23]
E. Frid et al., "On Designing Sounds to Reduce Shoplifting in Retail Environments," in Nordic Retail and Wholesale Conference, 2021.
[25]
H. Lindetorp and K. Falkenberg, "Putting Web Audio API to the test : Introducing WebAudioXML as a pedagogical platform," in Web Audio Conference 2021, 2021.
[26]
E. Frid and A. Ilsar, "Reimagining (Accessible) Digital Musical Instruments: A Survey on Electronic Music-Making Tools," in Proceedings of the International Conference on New Interfaces for Musical Expression (NIME) 2021, 2021.
[27]
R. Bresin et al., "Robust Non-Verbal Expression in Humanoid Robots: New Methods for Augmenting Expressive Movements with Sound," in Workshop on Sound in Human-Robot Interaction at HRI 2021, 2021.
[28]
H. Lindetorp and K. Falkenberg, "Sonification For Everyone Everywhere : Evaluating The WebAudioXML Sonification Toolkit For Browsers," in The 26th International Conference on Auditory Display (ICAD 2021), 2021.
[29]
E. Myresten, D. Larson Holmgren and R. Bresin, "Sonification of Twitter Hashtags Using Earcons Based on the Sound of Vowels," in Proceedigns of the 2nd Nordic Sound and Music Computing Conference, 2021.
[30]
S. Pauletto and R. Bresin, "Sonification Research and Emerging Topics," in Doing Research in Sound Design, Michael Filimowicz Ed., : Routledge, 2021.
[31]
E. Frid, "The Gender Gap and the Computer Music Narrative : On the Under-Representation of Women at Computer Music Conferences," Array - Journal of the International Computer Music Association, vol. 1, pp. 43-49, 2021.
[32]
O. Misgeld et al., "The melodic beat: exploring asymmetry in polska performance," Journal of Mathematics and Music - Mathematical and Computational Approaches to Music Theory, Analysis, Composition and Performance, pp. 1-22, 2021.
[33]
L. Elblaus and G. Eckel, "Acoustic modelling as a strategy for composing site-specific music," in ACM International Conference Proceeding Series : Proceedings of the 15th International Conference on Audio Mostly, 2020, pp. 69-76.
[34]
R. Hiraga and K. Falkenberg, "Computer-based music training with hearing impairments : Lessons from an experiment," in Proceedings of the 17th Sound and Music Computing Conference, 2020, pp. 426-433.
[37]
O. Misgeld, A. Holzapfel and S. Ahlbäck, "Exploring beat connections in Swedish Folk music and dance," in Proceedings of the ICTM Study Group on Sound, Movement, and the Sciences Symposium (SoMoS), 2020.
[38]
A. B. Latupeirissa, C. Panariello and R. Bresin, "Exploring emotion perception in sonic HRI," in 17th Sound and Music Computing Conference, 2020, pp. 434-441.
[39]
E. Frid and H. Lindetorp, "Haptic Music : Exploring Whole-Body Vibrations and Tactile Sound for a Multisensory Music Installation," in Proceedings of the Sound and Music Computing Conference (SMC) 2020, 2020, pp. 68-75.
[40]
I. Torre, A. B. Latupeirissa and C. McGinn, "How context shapes the appropriateness of a robot’s voice," in 29th IEEE International Conference on Robot and Human Interactive Communication, RO-MAN 2020, 2020, pp. 215-222.
[41]
R. Bresin et al., "Looking for the soundscape of the future : preliminary results applying the design fiction method," in Sound and Music Computing Conference 2020, 2020.
[42]
E. Frid, Z. Jin and C. Gomes, "Music Creation by Example," in Proceedings CHI '20: CHI Conference on Human Factors in Computing Systems, 2020, pp. 1-13.
[43]
E. Frid, C. Gomes and Z. Jin, "Music Creation by Example," (Manuscript).
[45]
C. Panariello, "Study in three phases : An Adaptive Sound Installation," Leonardo music journal, vol. 30, pp. 44-49, 2020.
[46]
A. B. Latupeirissa and R. Bresin, "Understanding non-verbal sound of humanoid robots in films," in Workshop on Mental Models of Robots at HRI 2020 in Cambridge, UK, Mar 23rd 2020, 2020.
[48]
L. Elblaus and G. Eckel, "Utruchirp : An impulse response measurement and auralisation tool developed for artistic practice," in ACM International Conference Proceeding Series, 2020, pp. 61-68.
[49]
H. Lindetorp and K. Falkenberg, "WebAudioXML : Proposing a new standard for structuring web audio," in Proceedings of the Sound and Music Computing Conferences, 2020, pp. 25-31.
[50]
V. Tsaknaki and L. Elblaus, "A wearable nebula material investigations of implicit interaction," in TEI 2019 - Proceedings of the 13th International Conference on Tangible, Embedded, and Embodied Interaction, 2019, pp. 625-633.
Full list in the KTH publications portal