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Publications by Elin Kanhov

Peer reviewed

Articles

[1]
E. Kanhov and B. Sturm, "Individualization, Platformization, and Claims of Democratization : Motivations, Processes, and Experiences of People and Their Practices of AI Music," Music and Data, vol. 1, no. 1, pp. 59-84, 2026.
[2]
E. Kanhov, A.-K. Kaila and B. L. T. Sturm, "Innovation, data colonialism and ethics : critical reflections on the impacts of AI on Irish traditional music," Journal of New Music Research, vol. 53, no. 1-2, pp. 47-63, 2024.

Conference papers

[3]
A. Ross et al., "Sexualised synthetic personas encode and amplify gendered power asymmetries through voice," in Proceedings of the Annual Conference of the International Speech Communication Association (INTERSPEECH 2026), 2026, pp. 3657-3662.
[4]
B. Sturm and E. Kanhov, "oljud—ʇᴉnɹq(n) : A Sonic Manifesto of Resistance to Generative AI in Music," in International Computer Music Conference 2026 May 10-16, 2026  Hamburg, Germany, 2026, pp. 352-359.
[5]
B. Sturm et al., "AI Music Studies : Preparing for the Coming Flood," in Proceedings of AI Music Creativity, 2024.
[6]
P. Jääskeläinen and E. Kanhov, "Data Ethics and Practices of Human-Nonhuman Sound Technologies and Ecologies," in VIHAR '24 - 4th International Workshop on Vocal Interactivity in-and-between Humans, Animals and Robots, 2024.
[7]
E. Kanhov, "Entanglements with Deepfake : AI Voice Models and their Diffractive Potential," in 12th New Materialisms Conference. Intersectional Materialisms: Diversity in Creative Industries, Methods & Practices. 26-28 August, 2024, Kildare, Ireland, 2024.
[8]
A.-K. Kaila, E. Kanhov and B. Sturm, "Ethnographic Considerations and Critical Reflections on the Impacts of AI on Traditional Irish Music," in British Forum for Ethnomusicology & International Council for Traditional Music Ireland Joint-Annual Conference, Cork, Ireland University College Cork, 4-7 April, 2024, 2024.
[9]
B. Sturm et al., "Stochastic Pirate Radio (KSPR) : Generative AI applied to simulate commercial radio," in Proc. AI Music Creativity, 2024.
[10]
E. Kanhov and B. Sturm, "Why make music with AI? : Potentials in ethnographic studies of AI music service users," in ICTMD Nordic-Baltic Network Conference. 8-10 October, 2024, Helsinki, Finland, 2024.
[11]
E. Kanhov, "Musical Temporalities and Complex Rhythm as Ways of Coexistence with Nature in John Luther Adams’s Inuksuit," in Deleuze/Guattari Studies in Asia: 7th International Conference, Tokyo, Japan, June 21-23, 2019, 2019.

Non-peer reviewed

Articles

[12]
B. Sturm et al., "Introducing AI Music Studies," Music and Data, vol. 1, no. 1, pp. 4-8, 2026.

Chapters in books

[13]
H. Gurstad-Nilsson et al., "Going forward by moving backwards : a perpetual dialectic movement," in Discovery of International Digital Collaborative Autoethnographical Psychobiography : Knowing You Knowing Me, Patrick Hopkinson; Mats Niklasson Ed., : Emerald, 2025, pp. 63-92.

Theses

[14]
E. Kanhov, "Encounters Between Music and Nature : A Productive and Transversal Approach to Contemporary Music Analysis," Doctoral thesis : Stockholm University, Studier i musikvetenskap, 26, 2023.

Conference Proceedings

[15]
"Collected Materials of The First International Conference in AI Music Studies : Prospects, Challenges and Methodologies of Studying AI Music in the Humanities and Social Sciences," , KTH Royal Institute of Technology, 2024.
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2026-11-04 00:03:24 UTC