Publications
Publications
[1]
K. Yang and S. Pauletto,
"Sounding different : Exploring attitudes towards digital voice personalization in a conversational setting,"
International journal of human-computer studies, vol. 218, 2027.
[2]
Y. Seznec,
"Configuring Alternative Human-Media Relations,"
Doctoral thesis Stockhom : KTH Royal Institute of Technology, TRITA-EECS-AVL, 2026:52, 2026.
[3]
L. Casini et al.,
"Data‑Driven Analysis of Text‑Conditioning in AI‑Generated Music : A Case Study with Suno and Udio,"
Transactions of the International Society for Music Information Retrieval, vol. 9, no. 1, pp. 194-209, 2026.
[4]
S. Delle Monache et al.,
"Editorial: Mediating sonic worlds: Critical approaches to boundary objects in Sound-Driven Design,"
in Proceedings of DRS, : Design Research Society, 2026.
[5]
A. Choubey and S. Pauletto,
"Interactive sonic interventions for sleep,"
in Music and Sleep : A Scientific Perspective, : Academic Press, 2026.
[6]
A. Choubey, T. van Buijtene and S. Pauletto,
"Investigating context in sonic interaction design for sleep : Investigating context in sonic interaction design for sleep,"
in DRS2026: Research Papers, 2026.
[7]
R. Alexandroff et al.,
"Life cycle assessment of a generative artificial intelligence system: the case of a radio application,"
The International Journal of Life Cycle Assessment, vol. 31, no. 8, 2026.
[8]
P. Jääskeläinen,
"More-than-Human Re-Imaginaries of Creative AI : Ontological and Aesthetic Re-Designings,"
Doctoral thesis : KTH Royal Institute of Technology, TRITA-EECS-AVL, 2026:47, 2026.
[9]
J. Yu, P. Jääskeläinen and R. Wakkary,
"Open Weaving: Decentering Practice in More-than-Human Relations,"
in Proceedings of Creativity & Cognition 2026, 2026.
[10]
J. Yu, P. Jääskeläinen and R. Wakkary,
"OpenWeaving: Decentering Practice in More-than-Human Relations,"
in C and C 2026 - Proceedings of the 2026 Conference on Creativity and Cognition, 2026, pp. 1357-1362.
[11]
Y. Seznec et al.,
"Play/Destroy : A portfolio of sound destruction devices,"
in Proceedings of the 2026 CHI Conference on Human Factors in Computing Systems, 2026.
[12]
A.-K. Kaila,
"Repairing Creative AI : Critical explorations of frictions, reconfigurations, and reflexivity,"
Doctoral thesis Stockholm, Sweden : KTH Royal Institute of Technology, TRITA-EECS-AVL, 2026:27, 2026.
[13]
K. Cotton et al.,
"Revising research practices for singing data collection,"
AI & Society : Knowledge, Culture and Communication, 2026.
[14]
P. Jääskeläinen et al.,
"Shifting from Creativity to Sympoiesis : A Site-Oriented Design Inquiry of More-than-Human Creative AI,"
in Proceedings of DRS 2026 (Design Research Society International Conference DRS2026), 2026.
[15]
A.-K. Kaila, A. Kotsios and A. Holzapfel,
"Terms of Fairness in Synthetic Singing,"
IEEE Transactions on Technology and Society, 2026.
[16]
T. Gulz and A. Holzapfel,
"The Abelian axioms—A framework for analyzing interaction and improvisation in a jazz group,"
Musicae scientiae, vol. 30, no. 1, pp. 125-148, 2026.
[17]
A. Zanella et al.,
"The role of sound and auditory displays in telescope control rooms : a pilot study,"
in Forum Acusticum Conference 2026, Graz, Austria, Sep 8-12, 2026, 2026.
[18]
K. Yang, A. Cera and S. Pauletto,
"The SoundRise Alarm : The Impact of a Gradually Rising Alarm on Morning Mood and Waking-Up Behavior,"
in Forum Acusticum -The Annual European Conference on Acoustics and Noise Control Engineering, Sep 8-12 2026, 2026.
[19]
A.-K. Kaila, P. Jääskeläinen and A. Holzapfel,
"AI adoption in the arts : A study of motivations and attitudes among Nordic AI artists,"
Digital Creativity, vol. 36, no. 4, pp. 362-379, 2025.
[20]
P. Jääskeläinen, C. Sanches and A. Holzapfel,
"Anticipatory Technology Ethics Reflection By Eliciting Creative AI Imaginaries Through Fictional Research Abstracts,"
in The 2025 ACM Conference on Fair-ness, Accountability, and Transparency (FAccT ’25), 2025.
[21]
A.-K. Kaila,
"Critical Explorations on the Socio-Ethical Implications of Creative AI for Artists,"
in Proceedings of The Eighth AAAI/ACM Conference On AI Ethics, And Society, AIES-25, Vol 8 No 3, 2025, pp. 2885-2886.
[22]
S. Hallak, A. Choubey and S. Pauletto,
"Design and Evaluation of the SoundAsleep app : the impact of emotional states on sound preferencs for sleep,"
in Forum Acusticum / Euronoise 2025, the 11th EAA Annual European Conference on Acoustics and Noise Control Engineering, Malaga, Spain, June 23-26, 2025, 2025.
[23]
V. Madaghiele et al.,
"Expanding the machine: Notating generative synthesis with a state-based representation and a navigable timbre space,"
Organised Sound, vol. 30, no. 3, pp. 355-366, 2025.
[24]
W. van der Maden et al.,
"From Dead-ends to Dialogue : Third Workshop on Design Research & GenAI,"
in DIS 2025 - Companion Proceedings of the 2025 ACM Designing Interactive Systems Conference: Designing for a Sustainable Ocean, 2025, pp. 42-46.
[25]
R. S. Huang, A. Holzapfel and B. L. T. Sturm,
"FROM PHILOSOPHY TO PRACTICE : A Culturally Informed Ethics of Music AI in Asia,"
in Artificial Intelligence and Music Ecosystem : Second Edition, 2nd ed. : Taylor and Francis, 2025, pp. 171-187.
[26]
R. S. Huang, A. Holzapfel and B. L. T. Sturm,
"GLOBAL ETHICS : Reflection 2.0 (2024),"
in Artificial Intelligence and Music Ecosystem : Second Edition, 2nd ed. : Informa UK Limited, 2025, pp. 168-170.
[27]
Y. Seznec,
"I am the Ball,"
in Proceedings of the 20th International Audio Mostly Conference, 2025, pp. 216-222.
[28]
K. Cotton et al.,
"Imploding between the facts and concerns: analysing human–AI musical interaction,"
Humanities and Social Sciences Communications, vol. 12, no. 1, 2025.
[29]
P. Jääskeläinen et al.,
"Intersectional analysis of visual generative AI: the case of stable diffusion,"
AI & Society : Knowledge, Culture and Communication, vol. 40, no. 6, pp. 4341-4362, 2025.
[30]
D. Larson Holmgren, N. Misdariis and S. Pauletto,
"Listening and Talking about Sound : exploring effective descriptors for everyday sounds with non-expert listeners,"
in Proceedings Forum Acusticum / Euronoise 2025, the 11th EAA Annual European Conference on Acoustics and Noise Control Engineering, 2025.
[31]
D. Holzer,
"Reenactments : Engaging with Historical Audio/Visual Instruments,"
Doctoral thesis Stockholm : KTH Royal Institute of Technology, TRITA-EECS-AVL, 2025:68, 2025.
[32]
S. Hallak, A. Choubey and S. Pauletto,
"Sound Asleep : A study on the relationship between emotional state and sound preferences as sleep aid,"
in Proceedings of the Conference on Sonification of Health and Environmental Data (SoniHED 2025), 2025, pp. 69-76.
[33]
S. Pauletto and N. Misdariis,
"Sound-Driven Design in Astronomy : the long-term impact of design and evaluation activities on the development of atronomical data sonification tools,"
in Proceedings Forum Acusticum / Euronoise 2025, the 11th EAA Annual European Conference on Acoustics and Noise Control Engineering, 2025.
[34]
Y. Seznec,
"The Book of Knowledge of Impractical Musical Devices,"
in Proceedings of the 22nd Sound and Music Computing Conference (SMC2025), 2025, pp. 290-297.
[35]
D. Holzer, A. Holzapfel and H. Frisk,
"The Imperfect Copy : Role Playing Reenactments of Historical Electronic Sound Instruments,"
in New Interfaces for Musical Expression, 2025.
[36]
D. Holzer, H. Frisk and A. Holzapfel,
"The Imperfect Copy : Role Playing Reenactments of Historical Electronic Sound Instruments,"
in Proceedings of the International Conference on New Interfaces for Musical Expression, 2025.
[37]
Y. Seznec,
"The Memory Cloud : Personal media libraries as affordance and constraint,"
in Proceedings of the International Conference on New Interfaces for Musical Expression, 2025, pp. 446-451.
[38]
K. Helms et al.,
"Toying with relations : Speculative toys for children and sustainability,"
in Nordes 2025 : Relational Design, 2025.
[39]
D. Holzer,
"A Piano for Visuals : Affordances of Scan Processing Instruments,"
Leonardo : Journal of the International Society for the Arts, Sciences and Technology, vol. 57, no. 6, pp. 613-621, 2024.
[40]
A.-K. Kaila and B. Sturm,
"Agonistic Dialogue on the Value and Impact of AI Music Applications,"
in Proceedings of the 2024 International Conference on AI and Musical Creativity, 2024.
[41]
P. Jääskeläinen, A. Holzapfel and E. Eriksson,
"AI Art for Self-Interest or Common Good? Uncovering Value Tensions in Artists’ Imaginaries of AI Technologies,"
in Proceedings of the 2024 ACM Designing Interactive Systems Conference, DIS 2024, 2024, pp. 2897-2910.
[42]
B. Sturm et al.,
"AI Music Studies : Preparing for the Coming Flood,"
in Proceedings of AI Music Creativity, 2024.
[43]
S. Pauletto,
"Beyond sound objects,"
in Traces of Sound, Frisk, Henrik & Sanne Krogh Groth Ed., Lund : Lund University Open Access, 2024, pp. 51-66.
[44]
N. Jacoby et al.,
"Commonality and variation in mental representations of music revealed by a cross-cultural comparison of rhythm priors in 15 countries,"
Nature Human Behaviour, vol. 8, no. 5, pp. 846-877, 2024.
[45]
S. Pauletto and Y. Seznec,
"Connecting sound to data : sonification workshop methods with expert and non-expert participants,"
Journal of The Audio Engineering Society, vol. 72, no. 5, pp. 328-340, 2024.
[46]
P. Jääskeläinen,
"Creative AI as More-than-Human – Design Practices, Aesthetics and Cultural Imaginaries,"
in More-Than-Human Design in Practice, Anton Poikolainen Rosén, Andrea Botero, Marie Louise Sondergaard Juhl and Antti Salovaara Ed., : Informa UK Limited, 2024, pp. 105-116.
[47]
P. Jääskeläinen and A. Biørn-Hansen,
"Critical Questions for Sustainability Research in Computational Creativity,"
in Proceedings of ICCC '24: International Conference of Computational Creativity, 2024.
[48]
P. Jääskeläinen and E. Kanhov,
"Data Ethics and Practices of Human-Nonhuman Sound Technologies and Ecologies,"
in VIHAR '24 - 4th International Workshop on Vocal Interactivity in-and-between Humans, Animals and Robots, 2024.
[49]
W. Van Der Maden et al.,
"Death of the Design Researcher? Creating Knowledge Resources for Designers Using Generative AI,"
in DIS '24 Companion: Companion Publication of the 2024 ACM Designing Interactive Systems Conference, 2024.
[50]