Sound installations and NIME
|Interactive sound installations|
|Large-scale interaction with a sound installation as a design tool, Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, 2017. DOI | PDF|
An interactive tool for designing car sounds shown at the large car fairs.
|My Sound Space: An attentional shield for immersive redirection, Audio Mostly 2018. DOI | |
|Musikcyklarna/Music bikes: An installation for enabling children to investigate the relationship between expressive music performance and body motion, Sound and Music Computing Sweden Conference 2014. DiVA | Open access|
Installation at Tom Tit's museum.
|Prototyping, mapping and design|
|Artistically directed prototyping in development and in practice, Journal of New Music Research, 2012:41(4). DOI | |
Paper to be uploaded.
|NIME Design and Contemporary Music Practice: Benefits and Challenges, New Interfaces for Musical Expression, NIME 2014. DiVA | Open access|
|Exploring the design space: Prototyping "The Throat V3"for the elephant man opera, Sound and Music Computing Conference, SMC 2011. DOI | Open access|
|Creating digital musical instruments with and for children: Including vocal sketching as a method for engaging in codesign, Human Technology, 2020:16(3). DOI | Open access|
The aim of the study was to explore how students and children would approach vocal sketching as one of several design methods for building new musical instruments.
|The Skipproof virtual turntable for high-level control of scratching, Computer Music Journal, 2010:34(2). DOI | Open access|
The Skipproof system, written in Pure data. It was used for instance on the Reactable.
|More DJ techniques on the reactable, NIME 2008. DiVA | Open access|
Skipproof scratching on the Reactable, allowing high-level control.
|Combining DJ Scratching, Tangible Interfaces And A Physics-Based Model of Friction Sounds, ICMC 2007. DiVA | Open access|
First paper combining scratching and the Reactable together with Smilen Dimitrov and Marcos Alonso.