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Publikationer av Sten Ternström

Refereegranskade

Artiklar

[1]
H. Cai och S. Ternström, "Mapping Phonation Types by Clustering of Multiple Metrics," Applied Sciences, vol. 12, no. 23, s. 12092, 2022.
[2]
S. Ternström och P. Pabon, "Voice Maps as a Tool for Understanding and Dealing with Variability in the Voice," Applied Sciences, vol. 12, no. 22, s. 11353-11353, 2022.
[3]
R. R. Patel och S. Ternström, "Quantitative and Qualitative Electroglottographic Wave Shape Differences in Children and Adults Using Voice Map-Based Analysis," Journal of Speech, Language and Hearing Research, vol. 64, no. 8, s. 2977-2995, 2021.
[5]
J. Nix, H. Jers och S. Ternström, "Acoustical, psychoacoustical, and pedagogical considerations for choral singing with covid-19 health measures," Choral Journal, vol. 61, no. 3, s. 32-40, 2020.
[6]
S. Ternström, S. D'Amario och A. Selamtzis, "Effects of the lung volume on the electroglottographic waveform in trained female singers," Journal of Voice, vol. 34, no. 3, s. 485.e1-485.e21, 2020.
[7]
P. Pabon och S. Ternström, "Feature maps of the acoustic spectrum of the voice," Journal of Voice, vol. 34, no. 1, s. 161.e1-161.e26, 2020.
[8]
F. M.B. Lã och S. Ternström, "Flow ball-assisted voice training : Immediate effects on vocal fold contacting," Biomedical Signal Processing and Control, vol. 62, 2020.
[9]
J. Körner Gustafsson et al., "Long-term effects of Lee Silverman Voice Treatment on daily voice use in Parkinson’s disease as measured with a portable voice accumulator," Logopedics, Phoniatrics, Vocology, vol. 44, no. 3, s. 124-133, 2019.
[10]
S. Ternström, "Normalized time-domain parameters for electroglottographic waveforms," Journal of the Acoustical Society of America, vol. 146, no. 1, s. EL65-EL70, 2019.
[11]
S. Ternström, D. Johansson och A. Selamtzis, "Update 2.0 to FonaDyn - A system for real-time analysis of the electroglottogram, over the voice range," SoftwareX, vol. 10, 2019.
[12]
J. K. Gustafsson et al., "Voice use in daily life studied with a portable voice accumulator in individuals with Parkinson’s disease and matched healthy controls," Journal of Speech, Language and Hearing Research, vol. 62, no. 12, s. 4324-4334, 2019.
[13]
A. Selamtzis et al., "A comparison of electroglottographic and glottal area waveforms for phonation type differentiation in male professional singers," Journal of the Acoustical Society of America, vol. 144, no. 6, s. 3275-3288, 2018.
[14]
S. Ternström, D. Johansson och A. Selamtzis, "FonaDyn - A system for real-time analysis of the electroglottogram, over the voice range," Software Quality Professional, vol. 7, s. 74-80, 2018.
[15]
A. Friberg et al., "Prediction of three articulatory categories in vocal sound imitations using models for auditory receptive fields," Journal of the Acoustical Society of America, vol. 144, no. 3, s. 1467-1483, 2018.
[18]
S. Warhurst et al., "Perceptual and Acoustic Analyses of Good Voice Quality in Male Radio Performers," Journal of Voice, vol. 31, no. 2, s. 259.e1-259.e12, 2017.
[19]
[20]
S. Ternström, P. Pabon och M. Södersten, "The Voice Range Profile : its function, applications, pitfalls and potential," Acta Acoustica united with Acustica, vol. 102, no. 2, s. 268-283, 2016.
[22]
D. Rocchesso et al., "Sketching sound with voice and gesture," interactions, vol. 22, no. 1, s. 38-41, 2015.
[23]
I. R. Titze et al., "Toward a consensus on symbolic notation of harmonics, resonances, and formants in vocalization," Journal of the Acoustical Society of America, vol. 137, no. 5, s. 3005-3007, 2015.
[24]
A. Selamtzis och S. Ternström, "Analysis of vibratory states in phonation using spectral features of the electroglottographic signal," The journal of the Acoustical Society of America, vol. 136, no. 5, s. 2773-2783, 2014.
[27]
[28]
B. Monson, A. Lotto och S. Ternström, "Detection of high-frequency energy changes in sustained vowels produced by singers," Journal of the Acoustical Society of America, vol. 129, no. 4, s. 2263-2268, 2011.
[29]
P. Pabon, S. Ternström och A. Lamarche, "Fourier Descriptor Analysis and Unification of Voice Range Profile Contours : Method and Applications," Journal of Speech, Language and Hearing Research, vol. 54, no. 3, s. 755-776, 2011.
[31]
S. Ternström och S. Granqvist, "Personal computers in the voice laboratory : Part two-audio devices," Logopedics, Phoniatrics, Vocology, vol. 35, no. 2, s. 98-102, 2010.
[32]
A. Lamarche, S. Ternström och P. Pabon, "The Singer’s Voice Range Profile : Female Professional Opera Soloists," Journal of Voice, vol. 24, no. 4, s. 410-426, 2010.
[33]
C. T. Herbst, S. Ternström och J. G. Svec, "Investigation of four distinct glottal configurations in classical singing-A pilot study," Journal of the Acoustical Society of America, vol. 125, no. 3, s. EL104-EL109, 2009.
[34]
A. Lamarche, S. Ternström och S. Hertegård, "Not just sound : Supplementing the voice range profile with the singer's ownperceptions of vocal challenges," Logopedics, Phoniatrics, Vocology, vol. 34, no. 1, s. 3-10, 2009.
[35]
S. Ternström och S. Granqvist, "Personal computers in the voice laboratory : Part one-the computing environment," Logopedics, Phoniatrics, Vocology, vol. 34, no. 4, s. 224-227, 2009.
[36]
A. Grell et al., "Rapid pitch correction in choir singers," Journal of the Acoustical Society of America, vol. 126, no. 1, s. 407-413, 2009.
[37]
A. Lamarche och S. Ternström, "An Exploration of Skin Acceleration Level as a Measureof Phonatory Function in Singing," Journal of Voice, vol. 22, no. 1, s. 10-22, 2008.
[38]
C. Aronsson et al., "Loud voice during environmental noise exposure in patients with vocal nodules," Logopedics, Phoniatrics, Vocology, vol. 32, no. 2, s. 60-70, 2007.
[39]
K. L. P. Reid et al., "The acoustic characteristics of professional opera singers performing in chorus versus solo mode," Journal of Voice, vol. 21, no. 1, s. 35-45, 2007.
[40]
C. Herbst och S. Ternström, "A comparison of different methods to measure the EGG contact quotient," Logopedics, Phoniatrics, Vocology, vol. 31, no. 3, s. 126-138, 2006.
[41]
S. Ternström, M. Bohman och M. Södersten, "Loud speech over noise : Some spectral attributes, with gender differences," Journal of the Acoustical Society of America, vol. 119, no. 3, s. 1648-1665, 2006.
[42]
S. Ternström, "Does the acoustic waveform mirror the voice?," Logopedics, Phoniatrics, Vocology, vol. 30, no. 3-4, s. 100-107, 2005.
[44]
S. Ternström, D. Cabrera och P. Davis, "Self-to-other ratios measured in an opera chorus in performance," Journal of the Acoustical Society of America, vol. 118, no. 6, s. 3903-3911, 2005.
[45]
R. M. van Besouw, D. M. Howard och S. Ternström, "Towards an understanding of speech and song perception," Logopedics, Phoniatrics, Vocology, vol. 30, no. 3-4, s. 129-135, 2005.
[46]
S. Ternström, "Choir acoustics : an overview of scientific research published to date," International Journal of Research in Choral Singing, vol. 1, no. 1, s. 3-12, 2003.
[47]
S. Ternström, M. Södersten och M. Bohman, "Cancellation of simulated environmental noise as a tool for measuring vocal performance during noise exposure," Journal of Voice, vol. 16, no. 2, s. 195-206, 2002.
[48]
S. Ternström, M. Andersson och U. Bergman, "An effect of body massage on voice loudness and phonation frequency in reading," Logopedics, Phoniatrics, Vocology, vol. 25, no. 4, s. 146-151, 2000.
[49]
S. Ternström, "Preferred self-to-other ratios in choir singing," Journal of the Acoustical Society of America, vol. 105, no. 6, s. 3563-3574, 1999.
[50]
A. McAllister et al., "Perturbation and hoarseness : a pilot study of six children's voices.," Journal of Voice, vol. 10, no. 3, 1996.
[52]
S. Ternström, "Perceptual evaluations of voice scatter in unison choir sounds.," Journal of Voice, vol. 7, no. 2, s. 129-135, 1993.
[53]
S. Ternström, "Physical and acoustic factors that interact with the singer to produce the choral sound," Journal of Voice, vol. 5, no. 2, s. 128-143, 1991.
[54]
S. Ternström och J. Sundberg, "Formant frequencies of choir singers," The Journal of the Acoustical Society of America, vol. 86, no. 2, s. 517-522, 1989.
[55]
S. Ternström, J. Sundberg och A. Colldén, "Articulatory Fo perturbations and auditory feedback," Journal of speech and hearing research, vol. 31, no. 2, s. 187-192, 1988.
[56]
S. Ternström och J. Sundberg, "Intonation precision of choir singers," Journal of the Acoustical Society of America, vol. 84, no. 1, s. 59-69, 1988.
[57]
J. Sundberg et al., "Long-term average spectrum analysis of phonatory effects of noise and filtered auditory feedback," Journal of Phonetics, vol. 16, no. 2, s. 203-219, 1988.
[58]
J. Sundberg et al., "Long-time average spectrum analysis of phonatory effects of noise and filtered auditory feedback," Journal of Phonetics, vol. 16, s. 203-219, 1988.
[59]
Å. Nilsonne et al., "Measuring the rate of change of voice fundamental frequency in fluent speech during mental depression," The Journal of the Acoustical Society of America, vol. 83, no. 2, s. 716-728, 1988.
[60]
P. Gramming et al., "Relationship between changes in voice pitch and loudness," Journal of Voice, vol. 2, no. 2, s. 118-126, 1988.
[61]
S. Ternström, J. Sundberg och A. Friberg, "Synthesizing choir singing," Journal of Voice, vol. 1, no. 4, s. 332-335, 1988.
[62]
T. D. Rossing, J. Sundberg och S. Ternström, "Acoustic comparison of soprano solo and choir singing.," Journal of the Acoustical Society of America, vol. 82, no. 3, s. 830-836, 1987.
[63]
T. D. Rossing, J. Sundberg och S. Ternström, "Acoustic comparison of voice use in solo and choir singing.," Journal of the Acoustical Society of America, vol. 79, no. 6, s. 1975-1981, 1986.

Konferensbidrag

[64]
H. Nylén, S. Chatterjee och S. Ternström, "Detecting Signal Corruptions in Voice Recordings For Speech Therapy," i ICASSP 2021 - 2021 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), 2021, s. 386-390.
[65]
R. Patel och S. Ternström, "Non-invasive evaluation of vibratory kinematics of phonation in children," i 12th International Conference on Voice Physiology and Biomechanics, 2020, s. 28.
[66]
S. Ternström och P. Pabon, "Accounting for variability over the voice range," i Proceedings of the ICA 2019 and EAA Euroregio, 2019, s. 7775-7780.
[67]
R. Patel och S. Ternström, "Electroglottographic voice maps of untrained vocally healthy adults with gender differences and gradients," i Models and Analysis of Vocal Emissions for Biomedical Applications (MAVEBA) : 11th International Workshop, 2019, s. 107-110.
[68]
F. M.B. Lã och S. Ternström, "Flow ball-assisted training : immediate effects on vocal fold contacting," i Pan-European Voice Conference 2019, 2019, s. 50-51.
[69]
N. C. Degirmenci et al., "A Unified Numerical Simulation of Vowel Production That Comprises Phonation and the Emitted Sound," i Proceedings of the Annual Conference of the International Speech Communication Association, INTERSPEECH 2017, 2017, s. 3492-3496.
[70]
D. T. Murphy, M. Jani och S. Ternström, "Articulatory vocal tract synthesis in Supercollider," i Proc. of the 18th Int. Conference on Digital Audio Effects (DAFx-15), 2015, s. 307-313.
[72]
S. Ternström och G. Kalin, "Formant frequency adjustment in barbershop singing," i Proc of 19th ICA, 2007, s. 206.
[73]
D. Kahlin och S. Ternström, "The chorus effect revisited-experiments in frequency-domain analysis and simulation of ensemble sounds," i Conference Proceedings of the EUROMICRO, 1999, s. 75-80.
[74]
S. Ternström och J. Nordmark, "Intonation preferences for major thirds with non-beating ensemble sounds," i Proc. of Nordic Acoustical Meeting : NAM'96, 1996, s. 359-365.

Kapitel i böcker

[75]
H. Jers och S. Ternström, "Vocal Ensembles : Chapter 20," i The Oxford Handbook of Music Performance, Volume 2, Gary E. McPherson red., 1. uppl. : Oxford University Press, 2022, s. 398-417.

Icke refereegranskade

Artiklar

[76]
R. Bresin et al., "Sound and Music Computing at KTH," Trita-TMH, vol. 52, no. 1, s. 33-35, 2012.
[77]
M. Bohman, S. Ternström och M. Södersten, "The use of channel estimation techniques for investigating vocal stress in noisy environments," Ultragarsas, vol. 3, no. 48, s. 9-13, 2003.
[78]
S. Ternström och A. Friberg, "Analysis and simulation of small variations in the fundamental frequency of sustained vowels," STL-QPSR, vol. 30, no. 3, s. 001-014, 1989.
[79]
S. Ternström, A. Friberg och J. Sundberg, "Monteverdi’s vespers. A case study in music synthesis," STL-QPSR, vol. 29, no. 2-3, s. 093-105, 1988.

Konferensbidrag

[80]
S. Ternström, "Who is normal, and how can we know?," i 12th International Conference on Voice Physiology and Biomechanics, 2020.
[82]
O. Guasch et al., "Unified numerical simulation of the physics of voice : The EUNISON project," i 8th ISCA Speech Synthesis Workshop; Barcelona, Spain, August 31 – September 2, 2013, 2013, s. 241-242.
[83]
S. Ternström, "Acoustics for Choral Singing," i Jahreskongress Bundesverband Deutscher Gesangspädagogen Dokumentation 2012, 2012, s. 122-131.
[85]
S. Ternström och J. Sundberg, "Formant-based synthesis of singing," i Proc Interspeech 2007, 2007, s. 2.
[86]
D. Murphy et al., "The dynamically varying digital waveguide mesh," i Proceedings of the 19th International Congress on Acoustics, 2007, s. 210.
[87]
H. Jers och S. Ternström, "Intonation analysis of a multi-channel choir recording," i Proc of Baltic-Nordic Acoustics Meeting 2004, B-NAM 2004, 2004.
[88]
S. Ternström och D. Howard, "Synthesizing singing : What's the buzz?," i Proceedings of the 2nd Intl Physiology and Acoustics of Singing Conference, 2004.

Kapitel i böcker

[89]
P. Pabon et al., "Future Perspectives," i Oxford Handbook of Singing, Welch, Graham; Howard, David M.; Nix, John red., : Oxford University Press, 2017.
[90]
S. Ternström, H. Jers och J. Nix, "Group and Ensemble Vocal Music," i The Oxford Handbook of Music Education, McPherson, G. E.; Welch, G. F. red., : Oxford University Press, 2012, s. 581-593.
[91]
C. Ericsdotter och S. Ternström, "Swedish," i The Use of the International Phonetic Alphabet in the Choral Rehearsal, Duane R. Karna red., : Scarecrow Press, 2012, s. 245-251.
[92]
S. Ternström och D. R. Karna, "Choir," i The Science & Psychology of Music Performance: Creative Strategies for Teaching and Learning, : Oxford University Press, 2011.
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2023-02-05 01:33:01