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Publications

Most recent publications:

[1]
C. Fernandez-Martín et al., "Choosing only the best voice imitators: Top-K many-to-many voice conversion with StarGAN," Speech Communication, vol. 156, 2024.
[3]
A. B. Latupeirissa, "From Motion Pictures to Robotic Features : Adopting film sound design practices to foster sonic expression in social robotics through interactive sonification," Doktorsavhandling Stockholm, Sweden : KTH Royal Institute of Technology, TRITA-EECS-AVL, 2024:13, 2024.
[4]
H. Lindetorp, "Interactive Sound and Music Technology for Everyone : Designing Inclusive Standards for Web Audio Applications," Doktorsavhandling Stockholm : KTH Royal Institute of Technology, TRITA-EECS-AVL, 2024:52, 2024.
[5]
F. Favero, "Light Rhythms : Exploring the Perceptual and Behavioural Effects of Daylight and Artificial Light Conditions in a Scandinavian Context," Doktorsavhandling : KTH Royal Institute of Technology, TRITA-EECS-AVL, 2024:32, 2024.
[6]
H. Lindetorp, "Towards a Standard for Interactive Music," i Innovation in Music: Technology and Creativity, Jan-Olof Gullö, Russ Hepworth-Sawyer, Justin Paterson, Rob Toulson, Mark Marrington red., 1. uppl. London : Taylor & Francis, 2024, s. 1-16.
[7]
E. Frid et al., "A Dual-Task Experimental Methodology for Exploration of Saliency of Auditory Notifications in a Retail Soundscape," i Proceedings of the 28th International Conference on Auditory Display (ICAD2023): Sonification for the Masses, 2023, 2023.
[8]
O. Misgeld, H. Lindetorp och A. Holzapfel, "Accessible sonification of movement : A case in Swedish folk dance," i Proceedings of SMC 2023 - Sound and Music Computing Conference, 2023, s. 201-208.
[11]
C. Panariello, "Converging Creativity : Intertwining Music and Code," Doktorsavhandling Stockholm : KTH Royal Institute of Technology, TRITA-EECS-AVL, 2023:40, 2023.
[12]
K. Falkenberg och L. Oestreicher, "Educating for inclusion : Teaching Design for all in the wild as a motivator," i Proceedings of the Nordic Network for Disability Research, 2023.
[13]
S. Telang et al., "Emotional Feedback of Robots : Comparing the perceived emotional feedback by an audience between masculine and feminine voices in robots in popular media," i HAI 2023 - Proceedings of the 11th Conference on Human-Agent Interaction, 2023, s. 434-436.
[14]
B. J. Zhang et al., "Hearing it Out : Guiding Robot Sound Design through Design Thinking," i 2023 32ND IEEE INTERNATIONAL CONFERENCE ON ROBOT AND HUMAN INTERACTIVE COMMUNICATION, RO-MAN, 2023, s. 2064-2071.
[15]
A. K. Rafi et al., "Investigating the Role of Robot Voices and Sounds in Shaping Perceived Intentions," i HAI 2023 - Proceedings of the 11th Conference on Human-Agent Interaction, 2023, s. 425-427.
[16]
E. Frid, "Musical Robots : Overview and Methods for Evaluation," i Sound and Robotics : Speech, Non-Verbal Audio and Robotic Musicianship, Richard Savery red., Boca Raton, FL, USA : Informa UK Limited, 2023, s. 1-42.
[17]
M. Goina, R. Bresin och R. Rodela, "Our sound space (oss) : an installation for participatory and interactive exploration of soundscapes," i SMC 2023 : Proceedings of the Sound and Music Computing Conference 2023, 2023, s. 255-260.
[18]
A. B. Latupeirissa och R. Bresin, "PepperOSC: enabling interactive sonification of a robot's expressive movement," Journal on Multimodal User Interfaces, vol. 17, no. 4, s. 231-239, 2023.
[20]
S. Zojaji et al., "Persuasive polite robots in free-standing conversational groups," i Proceedings IEEE/RSJ International Conference on Intelligent Robots and Systems (IROS 2023), 2023, s. 1-8.
[21]
R. Atienza, H. Lindetorp och K. Falkenberg, "Playing the design : Creating soundscapes through playful interaction," i SMC 2023 - Proceedings of the Sound and Music Computing Conference 2023, 2023, s. 362-369.
[22]
A. B. Latupeirissa, C. Panariello och R. Bresin, "Probing Aesthetics Strategies for Robot Sound: Complexity and Materiality in Movement Sonification," ACM Transactions on Human-Robot Interaction, 2023.
[23]
L. McHugh et al., "Salient sights and sounds: Comparing visual and auditory stimuli remembrance using Audio Set and sonic mapping," i Proceedings of the Sound and Music Computing Confererence, 2023.
[24]
L. McHugh et al., "Salient sights and sounds : comparing visual and auditory stimuli remembrance using audio set ontology and sonic mapping," i SMC 2023 : Proceedings of the Sound and Music Computing Conference 2023, 2023, s. 426-432.
[25]
C. Núñez-Pacheco och E. Frid, "Sharing Earthquake Narratives : Making Space for Others in our Autobiographical Design Process," i CHI '23: Proceedings of the 2023 CHI Conference on Human Factors in Computing Systems, 2023.
[26]
S. Mattias, "Sound Notation : The visual representation of sound for composition and analysis," Doktorsavhandling Stockholm : KTH Royal Institute of Technology, TRITA-EECS-AVL, 2023:39, 2023.
[27]
B. Orthmann et al., "Sounding Robots : Design and Evaluation of Auditory Displays for Unintentional Human-robot Interaction," ACM Transactions on Human-Robot Interaction, vol. 12, no. 4, 2023.
[29]
C. Panariello och E. Frid, "SuperOM : a SuperCollider class to generate music scores in OpenMusic," i Proceedings of the 8th International Conference on Technologies for Music Notation and Representation (TENOR), 2023, s. 68-75.
[30]
T. Maranhao et al., "What is the color of choro? : Color preferences for an instrumental brazilian popular music genre," i SMC 2023 : Proceedings of the Sound and Music Computing Conference 2023, 2023, s. 370-376.
[31]
C. Panariello och C. Percivati, "“WYPYM” : A Study for Feedback-Augmented Bass Clarinet," i NIME 2023 - New Interfaces for Musical Expression, 31 May — 3 June, 2023, Mexico City, Mexico, 2023.
[32]
F. Favero och U. Besenecker, "Artificial light(ing) or electric light(ing)?," i The 8th International Light Symposium: Re-thinking Lighting Design in a Sustainable Future, Copenhagen, Denmark, 2022, s. 1-11.
[33]
G. van den Broek och R. Bresin, "Concurrent sonification of different percentage values : the case of database values about statistics of employee engagement," i Proceedings of ISon 2022, 7th Interactive Sonification Workshop, BSCC, University of Bremen, Germany, September 22–23, 2022, 2022.
[35]
H. Lindetorp och K. Falkenberg, "Evaluating Web Audio for learning, accessibility and distribution," Journal of The Audio Engineering Society, vol. 70, no. 11, s. 962-978, 2022.
[36]
D. Larson Holmgren, A. Särnell och R. Bresin, "Facilitating reflection on climate change using interactive sonification," i Proceedings of ISon 2022, 7th Interactive Sonification Workshop, BSCC, University of Bremen, Germany, September 22–23, 2022, 2022.
[37]
E. Frid och C. Panariello, "Haptic Music Players for Children with Profound and Multiple Learning Dis-abilities (PMLD) : Exploring Different Modes of Interaction for Felt Sound," i Proceedings of the 24th International Congress on Acoustics (ICA2022) : A10 -05 Physiological Acoustics - Multi-modal solutions to enhance hearing, 2022.
[38]
S. Mattias, "Notation as visual representation of sound-based music," Journal of New Music Research, vol. 51, no. 2-3, s. 186-202, 2022.
[39]
[40]
T. Stojanovski et al., "Rethinking Computer-Aided Architectural Design (CAAD) - From Generative Algorithms and Architectural Intelligence to Environmental Design and Ambient Intelligence," i Computer-Aided Architectural Design : Design Imperatives: The Future Is Now, 2022, s. 62-83.
[41]
M. Sköld och R. Bresin, "Sonification of Complex Spectral Structures," Frontiers in Neuroscience, vol. 16, 2022.
[42]
C. Panariello och R. Bresin, "Sonification of Computer Processes : The Cases of Computer Shutdown and Idle Mode," Frontiers in Neuroscience, vol. 16, 2022.
[43]
P. R. Kantan et al., "Sonifying Walking : A Perceptual Comparison of Swing Phase Mapping Schemes," i Proceedings of ISon 2022, 7th Interactive Sonification Workshop, BSCC, University of Bremen, Germany, September 22–23, 2022, 2022.
[44]
N. Misdariis et al., "Sound experts’ perspectives on astronomy sonification projects," Nature Astronomy, vol. 6, no. 11, s. 1249-1255, 2022.
[45]
M. Ljungdahl Eriksson et al., "Sounds and Satisfaction: A Novel Conceptualization of the Soundscape in Sales and Service Settings," i Proceedings of the Nordic Retail and Wholesale Conference, 2022.
[46]
S. Mattias, "The Visual Representation of Timbre," Organised Sound, vol. 27, no. 3, s. 387-400, 2022.
[47]
O. Misgeld et al., "A case study of deep enculturation and sensorimotor synchronization to real music," i Proceedings of the 22nd International Conference on Music Information Retrieval, ISMIR 2021, International Society for Music Information Retrieval, 2021, s. 460-467.
[48]
H. Lindetorp och K. Falkenberg, "Audio Parameter Mapping Made Explicit Using WebAudioXML," i Proceedings of the Sound and Music Computing Conference, 2021.
[49]
K. Falkenberg et al., "Auditory notification of customer actions in a virtual retail environment: Sound design, awareness and attention," i Proceedings of International Conference on Auditory Displays ICAD 2021, 2021.
[50]
P. P. Anindita och K. Falkenberg, "Design Approaches to Alert Sounds for Interactions in Shops," i Nordic Sound and Music Computing Conference, 2021.
Fullständig lista i KTH:s publikationsportal