Publications

Most recent publications:

[1]
E. Frid, C. Gomes och Z. Jin, "Music Creation by Example," (Manuskript).
[2]
V. Tsaknaki och L. Elblaus, "A wearable nebula material investigations of implicit interaction," i TEI 2019 - Proceedings of the 13th International Conference on Tangible, Embedded, and Embodied Interaction, 2019, s. 625-633.
[3]
E. Frid, "Accessible Digital Musical Instruments : A Review of Musical Interfaces in Inclusive Music Practice," Multimodal Technologies and Interaction, vol. 3, no. 3, 2019.
[4]
O. Misgeld, A. Holzapfel och S. Ahlbäck, "Dancing Dots - Investigating the Link between Dancer and Musician in Swedish Folk Dance," i Sound & Music Computing Conference, 2019.
[5]
T. Gulz, A. Holzapfel och A. Friberg, "Developing a Method for Identifying Improvisation Strategies in Jazz Duos," i Proc. of the 14th International Symposium on CMMR, 2019, s. 482-489.
[6]
E. Frid, "Diverse Sounds : Enabling Inclusive Sonic Interaction," Doktorsavhandling Stockholm : KTH Royal Institute of Technology, TRITA-EECS-AVL, 2020:2, 2019.
[7]
[8]
C. Panariello et al., "From vocal sketching to sound models by means of a sound-based musical transcription system," i Proceedings of the 16th Sound and Music Computing Conference, 2019, s. 1-7.
[9]
R. Idrovo och S. Pauletto, "Immersive Point-of-Audition : Alfonso Cuarón’s Three-Dimensional Sound Design Approach," Music, Sound, and the Moving Image, 2019.
[10]
E. Frid, L. Elblaus och R. Bresin, "Interactive sonification of a fluid dance movement : an exploratory study," Journal on Multimodal User Interfaces, vol. 13, no. 3, s. 181-189, 2019.
[11]
J. Yang, T. Hermann och R. Bresin, "Introduction to the special issue on interactive sonification," Journal on Multimodal User Interfaces, vol. 13, no. 3, s. 151-153, 2019.
[12]
S. Pauletto, "Invisible Seams : the Role of Foley and Voice Postproduction Recordings in the Design of Cinematic Performances," i Foundations in Sound Design for Linear Media : A Multidisciplinary Approach, Michael Filimowicz red., : Routledge, 2019.
[13]
A. Barahona och S. Pauletto, "Perceptual Evaluation of Modal Synthesis for Impact-Based Sounds," i Sound and Music Computing Conference (SMC), 2019.
[14]
L. Jap och A. Holzapfel, "Real-time Mapping of Periodic Dance Movements to Control Tempo in Electronic Dance Music," i 16th Sound & Music Computing Conference, Malaga, Spain, 28-31 May 2019, 2019.
[15]
A. B. Latupeirissa, E. Frid och R. Bresin, "Sonic characteristics of robots in films," i Proceedings of the 16th Sound and Music Computing Conference, 2019, s. 1-6.
[16]
K. F. Hansen, M. Ljungdahl Eriksson och R. Atienza, "Sound design through large audience interaction," i SMC, 2019.
[17]
E. Frid et al., "Sound Forest - Evaluation of an Accessible Multisensory Music Installation," i Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems, 2019, s. 1-12.
[18]
K. F. Hansen et al., "Student involvement in sound and music research: Current practices at KTH and KMH," i Combined proceedings of theNordic Sound and Music Computing Conference 2019and the Interactive Sonification Workshop 2019, 2019, s. 36-41.
[19]
A. Holzapfel, "A case study of ethnography and computational analysis as complementary tools for analyzing dance tunes," i International Conference on Analytical Approaches to World Music (AAWM)2018, 2018.
[20]
E. Frid, "Accessible Digital Musical Instruments : A Survey of Inclusive Instruments Presented at the NIME, SMC and ICMC Conferences," i Proceedings of the International Computer Music Conference 2018 : Daegu, South Korea, 2018, s. 53-59.
[21]
L. Elblaus, "Crafting Experience : Designing Digital Musical Instruments for Long-Term Use in Artistic Practice," Doktorsavhandling : KTH Royal Institute of Technology, TRITA-EECS-AVL, 2018.
[22]
A. Holzapfel, B. Sturm och M. Coeckelbergh, "Ethical Dimensions of Music Information Retrieval Technology," Transactions of the International Society for Music Information Retrieval, vol. 1, no. 1, s. 44-55, 2018.
[23]
E. Frid et al., "Haptic feedback combined with movement sonification using a friction sound improves task performance in a virtual throwing task," Journal on Multimodal User Interfaces, vol. 13, no. 4, s. 279-290, 2018.
[24]
M. Ljungdahl Eriksson et al., "My Sound Space : An attentional shield for immersive redirection," i Audio Mostly 2018 : Sound in Immersion and Emotion, 2018.
[25]
L. Handberg et al., "Op 1254 : Music for neutrons, networks and solenoids using a restored organ in a nuclear reactor," i TEI 2018 - Proceedings of the 12th International Conference on Tangible, Embedded, and Embodied Interaction, 2018, s. 537-541.
[26]
R. A. Mangkuto et al., "Optimisation of daylight admission based on modifications of light shelf design parameters," Journal of Building Engineering, vol. 18, s. 195-209, 2018.
[27]
E. Frid, R. Bresin och S. Alexanderson, "Perception of Mechanical Sounds Inherent to Expressive Gestures of a NAO Robot - Implications for Movement Sonification of Humanoids," i Proceedings of the 15th Sound and Music Computing Conference, 2018.
[28]
S. Pauletto och B. P. Walus, "Reflecting on the Role of Sound in an Immersive Multimedia Intervention for Health Communication," i Reflecting on the Role of Sound in an Immersive Multimedia Intervention for Health Communication, 20/11/18 → 23/11/18, Italy, 2018.
[29]
R. Polak et al., "Rhythmic Prototypes Across Cultures : A Comparative Study of Tapping Synchronization," Music perception, vol. 36, no. 1, s. 1-23, 2018.
[30]
T. Jenkins et al., "Sociomateriality : Infrastructuring and appropriation of artifacts," i TEI 2018 - Proceedings of the 12th International Conference on Tangible, Embedded, and Embodied Interaction, 2018, s. 724-727.
[31]
A. Holzapfel, "STRUCTURE AND INTERACTION IN CRETAN LEAPING DANCES : CONNECTING ETHNOGRAPHY AND COMPUTATIONAL ANALYSIS," Doktorsavhandling Istanbul, Turkey : Istanbul Technical University, 2018.
[32]
A. C. Gedik och A. Holzapfel, "The Meaning of Music in Ethnomusicology and Music Information Retrieval : Obstacles Against Computational Ethnomusicology," i Conference on Interdisciplinary Musicology - CIM18 Poznań, 17-20 October 2018 POLAND, 2018.
[33]
O. Misgeld och A. Holzapfel, "Towards the study of embodied meter in Swedish folk dance," i Folk Music Analysis Workshop, 2018.
[34]
F. Keenan och S. Pauletto, "A Mechanical Mapping Model for Real-Time Control of a Complex Physical Modelling Synthesis Engine with a Simple Gesture," i International Conference on Digital Audio Effects (DAFx), 2017.
[35]
E. Frid et al., "An Exploratory Study On The Effect Of Auditory Feedback On Gaze Behavior In a Virtual Throwing Task With and Without Haptic Feedback," i Proceedings of the 14th Sound and Music Computing Conference, 2017, s. 242-249.
[36]
A. Srinivasamurthy et al., "Aspects of Tempo and Rhythmic Elaboration in Hindustani Music: A Corpus Study," Frontiers in Digital Humanities, 2017.
[37]
R. Polak et al., "Cross-cultural variation in sensorimotor synchronization with simple rhythms: A comparative tapping study," i 16th Rhythm Production and Perception Workshop, 2017.
[38]
F. Keenan och S. Pauletto, "Design and evaluation of a digital theatre wind machine.," i The International Conference on New Interfaces for Musical Expression (NIME), 2017, s. 431-435.
[39]
A. Holzapfel, "Die ersten Schritte: Interviews mit kretischen Tanzlehrern," i Music on Crete : Traditions of a Mediterranean island, Michael Hagleitner and Andre Holzapfel red., Vienna : Institut fuer Musikwissenschaft, Universität Wien, 2017, s. 303-330.
[40]
M. Herrera, G. Schierbeck och K. F. Hansen, "Disadvantages of using non-linear video in shallow learning situations – a critical perspective on current trends," i KTH Scholarship of Teaching and Learning, 2017.
[41]
S. Pauletto, "Embodied Knowledge in Foley Artistry," i The Routledge Companion to Screen Music and Sound, : Routledge, 2017, s. 338.
[42]
P. Pabon et al., "Future Perspectives," i Oxford Handbook of Singing, Welch, Graham; Howard, David M.; Nix, John red., : Oxford University Press, 2017.
[43]
A. Srinivasamurthy, A. Holzapfel och X. Serra, "INFORMED AUTOMATIC METER ANALYSIS OF MUSIC RECORDINGS," i 18th International Society for Music Information Retrieval Conference, ISMIR 2017, 23 October 2017 through 27 October 2017, Suzhou, China, 2017, s. 679-685.
[44]
K. F. Hansen, R. Atienza och M. Ljungdahl Eriksson, "Large-scale interaction with a sound installation as a design tool," i AM '17 Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, 2017.
[45]
F. Keenan och S. Pauletto, "€˜Listening Back: Exploring the Sonic Interactions at the Heart of Historical Sound Effects Performance," The New Soundtrack, vol. 7, no. 1, s. 15-30, 2017.
[46]
A. Lowden och F. Favero, "Ljus och hälsa : En kunskapssammanställning med fokus på dagsljusets betydelse i inomhusmiljö," Folkhälsomyndigheten, Technical report, 03573-2017, 2017.
[47]
G. Dzhambazov et al., "Metrical-accent Aware Vocal Onset Detection in Polyphonic Audio," i Proceedings of the 18th International Society for Music Information Retrieval Conference, ISMIR 2017, 2017.
[48]
R. de Valk et al., "MIRchiving: Challenges and opportunities of connecting MIR research and digital music archives," i DLfM '17 Proceedings of the 4th International Workshop on Digital Libraries for Musicology, 2017.
[49]
A. Holzapfel, "Rhythmic and melodic aspects of Cretan Leaping dances," i Music on Crete : Traditions of a Mediterranean island, Michael Hagleitner and Andre Holzapfel red., Vienna : Institut fuer Musikwissenschaft, Universität Wien, 2017, s. 281-302.
[50]
E. Frid, "Sonification of women in sound and music computing - The sound of female authorship in ICMC, SMC and NIME proceedings," i 2017 ICMC/EMW - 43rd International Computer Music Conference and the 6th International Electronic Music Week, 2017, s. 233-238.
Fullständig lista i KTH:s publikationsportal