Publications

Most recent publications:

[1]
E. Frid, C. Gomes and Z. Jin, "Music Creation by Example," (Manuscript).
[2]
V. Tsaknaki and L. Elblaus, "A wearable nebula material investigations of implicit interaction," in TEI 2019 - Proceedings of the 13th International Conference on Tangible, Embedded, and Embodied Interaction, 2019, pp. 625-633.
[3]
E. Frid, "Accessible Digital Musical Instruments : A Review of Musical Interfaces in Inclusive Music Practice," Multimodal Technologies and Interaction, vol. 3, no. 3, 2019.
[4]
O. Misgeld, A. Holzapfel and S. Ahlbäck, "Dancing Dots - Investigating the Link between Dancer and Musician in Swedish Folk Dance," in Sound & Music Computing Conference, 2019.
[5]
T. Gulz, A. Holzapfel and A. Friberg, "Developing a Method for Identifying Improvisation Strategies in Jazz Duos," in Proc. of the 14th International Symposium on CMMR, 2019, pp. 482-489.
[6]
E. Frid, "Diverse Sounds : Enabling Inclusive Sonic Interaction," Doctoral thesis Stockholm : KTH Royal Institute of Technology, TRITA-EECS-AVL, 2020:2, 2019.
[7]
[8]
C. Panariello et al., "From vocal sketching to sound models by means of a sound-based musical transcription system," in Proceedings of the 16th Sound and Music Computing Conference, 2019, pp. 1-7.
[9]
R. Idrovo and S. Pauletto, "Immersive Point-of-Audition : Alfonso Cuarón’s Three-Dimensional Sound Design Approach," Music, Sound, and the Moving Image, 2019.
[10]
E. Frid, L. Elblaus and R. Bresin, "Interactive sonification of a fluid dance movement : an exploratory study," Journal on Multimodal User Interfaces, vol. 13, no. 3, pp. 181-189, 2019.
[11]
J. Yang, T. Hermann and R. Bresin, "Introduction to the special issue on interactive sonification," Journal on Multimodal User Interfaces, vol. 13, no. 3, pp. 151-153, 2019.
[12]
S. Pauletto, "Invisible Seams : the Role of Foley and Voice Postproduction Recordings in the Design of Cinematic Performances," in Foundations in Sound Design for Linear Media : A Multidisciplinary Approach, Michael Filimowicz Ed., : Routledge, 2019.
[13]
A. Barahona and S. Pauletto, "Perceptual Evaluation of Modal Synthesis for Impact-Based Sounds," in Sound and Music Computing Conference (SMC), 2019.
[14]
L. Jap and A. Holzapfel, "Real-time Mapping of Periodic Dance Movements to Control Tempo in Electronic Dance Music," in 16th Sound & Music Computing Conference, Malaga, Spain, 28-31 May 2019, 2019.
[15]
A. B. Latupeirissa, E. Frid and R. Bresin, "Sonic characteristics of robots in films," in Proceedings of the 16th Sound and Music Computing Conference, 2019, pp. 1-6.
[16]
K. F. Hansen, M. Ljungdahl Eriksson and R. Atienza, "Sound design through large audience interaction," in SMC, 2019.
[17]
E. Frid et al., "Sound Forest - Evaluation of an Accessible Multisensory Music Installation," in Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems, 2019, pp. 1-12.
[18]
K. F. Hansen et al., "Student involvement in sound and music research: Current practices at KTH and KMH," in Combined proceedings of theNordic Sound and Music Computing Conference 2019and the Interactive Sonification Workshop 2019, 2019, pp. 36-41.
[19]
A. Holzapfel, "A case study of ethnography and computational analysis as complementary tools for analyzing dance tunes," in International Conference on Analytical Approaches to World Music (AAWM)2018, 2018.
[20]
E. Frid, "Accessible Digital Musical Instruments : A Survey of Inclusive Instruments Presented at the NIME, SMC and ICMC Conferences," in Proceedings of the International Computer Music Conference 2018 : Daegu, South Korea, 2018, pp. 53-59.
[21]
L. Elblaus, "Crafting Experience : Designing Digital Musical Instruments for Long-Term Use in Artistic Practice," Doctoral thesis : KTH Royal Institute of Technology, TRITA-EECS-AVL, 2018.
[22]
A. Holzapfel, B. Sturm and M. Coeckelbergh, "Ethical Dimensions of Music Information Retrieval Technology," Transactions of the International Society for Music Information Retrieval, vol. 1, no. 1, pp. 44-55, 2018.
[23]
E. Frid et al., "Haptic feedback combined with movement sonification using a friction sound improves task performance in a virtual throwing task," Journal on Multimodal User Interfaces, vol. 13, no. 4, pp. 279-290, 2018.
[24]
M. Ljungdahl Eriksson et al., "My Sound Space : An attentional shield for immersive redirection," in Audio Mostly 2018 : Sound in Immersion and Emotion, 2018.
[25]
L. Handberg et al., "Op 1254 : Music for neutrons, networks and solenoids using a restored organ in a nuclear reactor," in TEI 2018 - Proceedings of the 12th International Conference on Tangible, Embedded, and Embodied Interaction, 2018, pp. 537-541.
[26]
R. A. Mangkuto et al., "Optimisation of daylight admission based on modifications of light shelf design parameters," Journal of Building Engineering, vol. 18, pp. 195-209, 2018.
[27]
E. Frid, R. Bresin and S. Alexanderson, "Perception of Mechanical Sounds Inherent to Expressive Gestures of a NAO Robot - Implications for Movement Sonification of Humanoids," in Proceedings of the 15th Sound and Music Computing Conference, 2018.
[28]
S. Pauletto and B. P. Walus, "Reflecting on the Role of Sound in an Immersive Multimedia Intervention for Health Communication," in Reflecting on the Role of Sound in an Immersive Multimedia Intervention for Health Communication, 20/11/18 → 23/11/18, Italy, 2018.
[29]
R. Polak et al., "Rhythmic Prototypes Across Cultures : A Comparative Study of Tapping Synchronization," Music perception, vol. 36, no. 1, pp. 1-23, 2018.
[30]
T. Jenkins et al., "Sociomateriality : Infrastructuring and appropriation of artifacts," in TEI 2018 - Proceedings of the 12th International Conference on Tangible, Embedded, and Embodied Interaction, 2018, pp. 724-727.
[31]
A. Holzapfel, "STRUCTURE AND INTERACTION IN CRETAN LEAPING DANCES : CONNECTING ETHNOGRAPHY AND COMPUTATIONAL ANALYSIS," Doctoral thesis Istanbul, Turkey : Istanbul Technical University, 2018.
[32]
A. C. Gedik and A. Holzapfel, "The Meaning of Music in Ethnomusicology and Music Information Retrieval : Obstacles Against Computational Ethnomusicology," in Conference on Interdisciplinary Musicology - CIM18 Poznań, 17-20 October 2018 POLAND, 2018.
[33]
O. Misgeld and A. Holzapfel, "Towards the study of embodied meter in Swedish folk dance," in Folk Music Analysis Workshop, 2018.
[34]
F. Keenan and S. Pauletto, "A Mechanical Mapping Model for Real-Time Control of a Complex Physical Modelling Synthesis Engine with a Simple Gesture," in International Conference on Digital Audio Effects (DAFx), 2017.
[35]
E. Frid et al., "An Exploratory Study On The Effect Of Auditory Feedback On Gaze Behavior In a Virtual Throwing Task With and Without Haptic Feedback," in Proceedings of the 14th Sound and Music Computing Conference, 2017, pp. 242-249.
[36]
A. Srinivasamurthy et al., "Aspects of Tempo and Rhythmic Elaboration in Hindustani Music: A Corpus Study," Frontiers in Digital Humanities, 2017.
[37]
R. Polak et al., "Cross-cultural variation in sensorimotor synchronization with simple rhythms: A comparative tapping study," in 16th Rhythm Production and Perception Workshop, 2017.
[38]
F. Keenan and S. Pauletto, "Design and evaluation of a digital theatre wind machine.," in The International Conference on New Interfaces for Musical Expression (NIME), 2017, pp. 431-435.
[39]
A. Holzapfel, "Die ersten Schritte: Interviews mit kretischen Tanzlehrern," in Music on Crete : Traditions of a Mediterranean island, Michael Hagleitner and Andre Holzapfel Ed., Vienna : Institut fuer Musikwissenschaft, Universität Wien, 2017, pp. 303-330.
[40]
M. Herrera, G. Schierbeck and K. F. Hansen, "Disadvantages of using non-linear video in shallow learning situations – a critical perspective on current trends," in KTH Scholarship of Teaching and Learning, 2017.
[41]
S. Pauletto, "Embodied Knowledge in Foley Artistry," in The Routledge Companion to Screen Music and Sound, : Routledge, 2017, p. 338.
[42]
P. Pabon et al., "Future Perspectives," in Oxford Handbook of Singing, Welch, Graham; Howard, David M.; Nix, John Ed., : Oxford University Press, 2017.
[43]
A. Srinivasamurthy, A. Holzapfel and X. Serra, "INFORMED AUTOMATIC METER ANALYSIS OF MUSIC RECORDINGS," in 18th International Society for Music Information Retrieval Conference, ISMIR 2017, 23 October 2017 through 27 October 2017, Suzhou, China, 2017, pp. 679-685.
[44]
K. F. Hansen, R. Atienza and M. Ljungdahl Eriksson, "Large-scale interaction with a sound installation as a design tool," in AM '17 Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, 2017.
[45]
F. Keenan and S. Pauletto, "€˜Listening Back: Exploring the Sonic Interactions at the Heart of Historical Sound Effects Performance," The New Soundtrack, vol. 7, no. 1, pp. 15-30, 2017.
[46]
A. Lowden and F. Favero, "Ljus och hälsa : En kunskapssammanställning med fokus på dagsljusets betydelse i inomhusmiljö," Folkhälsomyndigheten, Technical report, 03573-2017, 2017.
[47]
G. Dzhambazov et al., "Metrical-accent Aware Vocal Onset Detection in Polyphonic Audio," in Proceedings of the 18th International Society for Music Information Retrieval Conference, ISMIR 2017, 2017.
[48]
R. de Valk et al., "MIRchiving: Challenges and opportunities of connecting MIR research and digital music archives," in DLfM '17 Proceedings of the 4th International Workshop on Digital Libraries for Musicology, 2017.
[49]
A. Holzapfel, "Rhythmic and melodic aspects of Cretan Leaping dances," in Music on Crete : Traditions of a Mediterranean island, Michael Hagleitner and Andre Holzapfel Ed., Vienna : Institut fuer Musikwissenschaft, Universität Wien, 2017, pp. 281-302.
[50]
E. Frid, "Sonification of women in sound and music computing - The sound of female authorship in ICMC, SMC and NIME proceedings," in 2017 ICMC/EMW - 43rd International Computer Music Conference and the 6th International Electronic Music Week, 2017, pp. 233-238.
Full list in the KTH publications portal
Page responsible:Web editors at EECS
Belongs to: Media Technology and Interaction Design
Last changed: Sep 03, 2019